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Random notes on the Steelopolis. This isn’t just a history page. It’s about appreciating everything around us – the buildings, people, products and events that shaped the City of Sheffield. It’s about taking notice of what is around you now, and observing the things that will become history for our descendants. Photograph by Brian Mosley.

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Buildings

The mystery behind the Lord’s House

45-47 Fargate, Sheffield. The site of the Lord’s House. Image: DJP/2022

The year is 1815 and a big old town house on Fargate was demolished. It was replaced by a shop and in later years the site at its corner with Norfolk Row was occupied by Robert Hanbridge and Sons, hosier, hatters, and glovers, before becoming Hepworth tailors and finally a branch of Next.

The story of 45-47 Fargate has been covered here already, and the former Next building was recently demolished to reveal its underground secrets. But if we were able to dig even deeper there may be further treasures.

After Sheffield Castle was demolished in 1646, the Manor House remained, and the agent of the Duke of Norfolk, Lord of the Manor, resided here.

In 1706, however, the Manor House was dismantled, and a year later the Lord’s House was built in Fargate, of moderate size and pretensions, for the accommodation of the steward, and the occasional visits of the Lord of the Manor.

In the middle of the eighteenth century Henry Howard, then resident agent to the Duke of Norfolk lived here, and his son, Bernard Edward, who was born in the Lord’s House in 1765 eventually succeeded to the title on the death of his cousin, and became the 12th, Duke. But the Lord’s House was mostly occupied by his agents, the last one being Vincent Eyre.

In 1791, rioters had tried to burn it down in protest at the Enclosures Acts and were only prevented by the timely arrival of the military, which had been summoned from Nottingham the day before.

Towards the end of its life, the Lord’s House became a school where Samuel Scantlebury, the brewer, was a pupil.

View of the Lord’s House, Fargate, demolished 1815. Taken from a pen drawing in the possession of Mr R. Drury (1867). Sketch made 31st October, 1867. Image: Picture Sheffield
The Lord’s House was built in 1707 for the Duke of Norfolk on his occasional visits to Sheffield. It was mostly occupied by his agents, the principal one being Vincent Eyre. It was situated in Fargate, at the corner of Norfolk Row. The house was demolished in 1814. Image: Picture Sheffield

“At the end of Norfolk Row was the building called the old Lord’s House,” said George Leighton in 1876. “It formed the corner of Fargate and Norfolk Row and stood where there are the shops so long occupied by Mr Holden, watchmaker (now Mr Rennie’s, hosier), and the adjacent ones, as far as the Old Red House.

“There was a double flight of steps leading to a balcony on the level of the first floor. Mr Rimmer, the catholic priest, had a small room in the house, used as a chapel. The entrance was from Norfolk Row side, and there were two or three steps up to the chapel.

“About the time I am speaking of (1814-1815), the building was taken down, and the land was quite open from Fargate to the Assembly Rooms in Norfolk Street, and it continued open for years. Mr Rimmer got a chapel built upon the ground, right at the back (in 1816), and that continued to be the Roman Catholic place of worship until the present St Marie’s Church was built (1846-1850). We used to play on the ground, and ‘Old Rimmer’ did not like it, and drove us off. He was a nice old gentleman – a cheerful old chap. For a long time, the ground was unfenced, but ultimately a palisade was put up.”

The Lord’s House was sold in 1814 and dismantled in 1815, but the replacement chapel was short-lived. The palisade in the house’s former gardens was St. Marie’s Roman Catholic Church, better known today as the Cathedral Church of St Marie, Sheffield.

These days we have little visual evidence as to how the Lord’s House looked. However, within Sheffield Archives are two sketches, one of which is a pen drawing that was in the possession of Mr R. Drury in 1867.

Both are remarkably similar, but in Charles Hadfield’s ‘History of St Marie’s,’ published in 1899, he provides another sketch that was taken from a porcelain model, the property of Arnold J. Ward. This model purported to represent the old mansion in Fargate. Mrs Fisher (widow of Henry Fisher, surgeon, Eyre Street) who died in 1881, stated that her father had purchased the model at a sale.

The Lord’s House. From Charles Hadfield’s ‘History of St Marie’s’ 1889. Image: British Newspaper Archive

That the model was a correct representation of the Lord’s House was testified by several residents including Septimus Clayton, John Kirk, George Thompson, James Brown, and William Clayton, well within the recollection of these old men.

In 1931, the Sheffield Daily Telegraph queried the whereabouts of the porcelain model and discovered that it had been presented to the Duke of Norfolk by Arnold J. Ward in 1897 who received an acknowledgement.

The newspaper contacted the ducal seat at Arundel Castle in Sussex and received the following response.

“We have a model in porcelain which might be described as follows: Circular front with door in centre, two round turret towers on either side with battlements around the top of each and with a square tower in centre of model which resembles an ordinary church. There is no record stating that this is the model asked about.”

The description suggests a different property to all the sketches, but there was consensus at the time that the model was the Lord’s House.

And we should also remember George Leighton’s recollections that ‘the Lord’s House had a double flight of steps, leading to a balcony on the first floor.’ Again, this contradicts all the sketches.

Somebody has suggested to me that the sketches might show the rear of the property, and one does show a retaining wall to the left hand side that might have been alongside Norfolk Row.

For now, I have submitted a request to Arundel Castle to determine whether the porcelain model still exists, and whether they have any more information on the Lord’s House.

Catholic Chapel, Norfolk Row (Original St. Marie’s). Norfolk Row to left. Fargate in background. Image: Picture Sheffield

©2022 David Poole. All Rights Reserved.

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Buildings

Channing Hall – “The finest small auditorium in Yorkshire.”

Channing Hall, Surrey Street, Sheffield. Image: DJP/2022

It was the summer of 1881, and there were a lot of people in Sheffield town centre. They had come to watch Miss Margaret Jessop, of Endcliffe Grange, lay the foundation stone of a new Unitarian Memorial Hall on newly constructed Surrey Street.

Margaret Jessop was the fourth daughter of Thomas Jessop (1804-1887), steelmaker, Mayor, and Master Cutler, and founder of the Jessop Hospital for Women.

She deputised for her sick father and laid the corner stone with a handsome silver trowel with ivory handle, upon which was the inscription – “Presented to Miss Jessop, of Endcliffe Grange, Sheffield, on the occasion of her laying the corner stone of a Congregational Hall in connection with the Upper Chapel, June 14, 1881.”

The stone also bore an inscription, and in the cavity underneath a bottle was deposited, which contained a parchment setting forth the purposes for which the hall was erected, and the names of the minister, trustees, secretary, architects, clerk of the works, and contractors. Having laid the mortar, she gave the stone a couple of taps with the mallet and declared it well and truly laid.

The hall was completed the following year and called Channing Hall, a name we are familiar with today.  

Channing Hall sits below a row of commercial properties owned and leased by the chapel. Image: DJP/2022
Upper Chapel, Norfolk Street, Sheffield. It is connected by a corridor to Channing Hall. Image: DJP/2022

Channing Hall had been commissioned by the Trustees of the Upper Chapel on Norfolk Street and was named after William Ellery Channing (1780-1842), the father of American Unitarianism.

At the time, Rev. Eli Fay said: –

“The trustees some years ago commenced to consider their need of a hall for the promotion of the social life of the congregation, and to enable the Sunday school to realise more fully its own ideals. They did not expect from the trustees anything poor and cheap, but he did not expect that they had given them what had been declared to be the finest small auditorium in Yorkshire, and probably the finest in the north of England.”

The building of Channing Hall and the four shops underneath cost £4200, a new caretaker’s house at the rear £460, the division of the old schoolrooms into classrooms £225, and the total cost, together with the site, was about £7000.

Years earlier, the Chapel had bought property on Pepper Alley (near Norfolk Row) as well as building a Minister’s house on land behind. In the 1880s, Sheffield Corporation had sights on the land these stood on, and gave the trustees £3,870 for it, as well as two pieces of land, one of which was used to build the new hall.

After great difficulty, the Chapel also obtained permission from the Court of Chancery to borrow £714 for themselves. But the rest of the money should have come from subscriptions but raised only £1280 from some 35 or 40 persons. It left the Trustees with a deficit and took years for the debt to be cleared.

The architects were Flockton and Gibbs, the style like that of the old chapel – Italian renaissance – only of a more ornate character.

It was 60ft in length, two storeys in height, with six pilasters on each story, the lower being of an Ionic and the upper an Italian treatment of the Corinthian order, surmounted with a bold cornice and balustrade. The space between the pilasters on the lower story was filled with five arches – the entrance being in the centre arch – and those on the upper story were filled with windows, three of which were arched, and sub-divided with more arches.

The walls of the interior, including entrance and staircase passage, were built of coloured glaze brick, the pilasters being of Indian red colour, the surbase of green and brown, panels of cream colour, and borders of white and French grey.

From the impressive winding staircase hall were doors giving access to the chapel, old schools, chapel-keeper’s house, committee room, and congregational hall. The latter, which was the chief part of the building, was considered a work of beauty.

The congregational is approached by a winding staircase, at the top of which is an hexagonal stair hall, 16ft in diameter, and which is built with brick walls similar to those used in the construction of the entrance passage. Image: DJP/2022
The Victorian contractors were: – Chambers and Sons, masons and joiners; J.E. Elliott, plumber; Marshall Watson, and Moorwood, iron founders; A. Berrisford, plasterer; Staniforth and Lee, slaters; R.R. Gibbs, heating apparatus. Image: DJP/2022

The roof had partly open timbers, and the caps and bases of the pilasters were of the Italian Corinthian order. This was used as a Sunday school as well as a congregational room, and the seating accommodation was for 350 to 400 persons.

The walls were glazed bricks, with surbase of browns and greens, pilasters of Indian red and cream-coloured panels, and with white and French grey. The caps and bases of the pilasters were cement, and of the Italian Corinthian design.

Hollis Hall, at Harvard University, is thought to contain a photograph of Channing Hall. Sent by Upper Chapel in 1936. Image: DJP/2022
The roof is partly open timbered, the ceiling being of panelled Memel wood, the panels coloured in a light blue and relieved with stencilled patterns in white. Image: DJP/2022

Around the room, at right angles with the beautiful caps surmounting the pilasters, was an inscription which stated that the hall had been erected “for educational and social purposes, and for the same religious aims with which the chapel was founded in the year 1700, and on the same broad basis of a free and open trust.”

The wooden floor was 4½ inches thick, laid on concrete, with the joints filled with white lead, with a slight fall to the sides; the object of this to enable the floor to be washed with a hose pipe.

All these years later, people tend to forget that Channing Hall and the Upper Chapel are tangibly connected. Both venues can be accessed by going through the other.

Little has changed since its construction, except the addition of a lift, and Channing Hall, now Grade II listed, is mainly used as a conference and banqueting suite.

Built in 1881-1882, Channing Hall was designed by Flockton and Gibbs. Image: DJP/2022

©2022 David Poole. All Rights Reserved.

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Buildings

John Lewis becomes a listed building

The former Cole Brothers/John Lewis store. Image: DJP/2022

Interest in the former Cole Brothers/John Lewis store in Barker’s Pool exceeded expectations, wrote David Walsh at the Sheffield Star.

There had been ‘fifteen or sixteen credible and exciting bids; according to Councillor Mazher Iqbal, Co-chair of the Transport, Regeneration and Climate Policy Committee at Sheffield City Council.

Such was the interest that any decision on the building would be delayed until November while applications were vetted.

The news almost certainly saved the building, and Councillor Iqbal said he favoured retaining or part-retaining the building, although demolition had not been ruled out. He added that the carpark would come down because it was ‘not safe and posed a safety risk.’

But I wonder how many of those applicants will still be interested today.

This morning, Historic England announced that the former Cole Brothers/John Lewis store had been granted a Grade II listing, meaning that it is of ‘special interest, warranting every effort to preserve it.’

“Historic England was asked to assess the former Cole Brothers’ (John Lewis) department store for Listing,” said a spokesperson. “After careful consideration, our recommendation to The Department for Digital, Culture, Media & Sport (DCMS) was that it should be listed at Grade II.

“It is a rare example of a post-war department store – designed by a leading mid-C20 firm of architects – with clean, crisp Modernist lines and a sophisticated layout for shoppers. It stood out from the crowd and contributed to the city of Sheffield’s vision for a vibrant new environment for its residents. The Department for Digital, Culture, Media & Sport agreed with our advice and has today granted the former Cole Brothers’ (John Lewis) Department Store listed status.”

Hallamshire Historic Buildings and the Twentieth Century Society had applied for the designation that also included the carpark.

As far as the C20 Society is concerned, it marks the culmination of a 20 year battle to get it listed.

The building was accepted by Historic England as ‘a good example of early Sixties architecture by an important firm of architects’ but initially turned down for listing in December 2001.

Although further acknowledging the store as an ‘important post-war building’, a Certificate of Immunity from listing (COI) was issued in September 2002, but this lapsed in 2007.

Upon consultation for its renewal in May 2022, C20 Society strongly objected and called for the building to be listed at Grade II. 

The change heralds a long-called for thematic investigation by Historic England into the department store as a unique building type, testament to C20’s ongoing Department Stores Campaign and the efforts of other heritage organisations in helping raise awareness of so many underappreciated examples. With the nature of retail and the character of our high streets changing so profoundly in the past two decades, the plight of former department stores has recently become a topic of national conversation.

Designed by prominent post-war modernists, Yorke, Rosenberg & Mardall (YRM) – also behind other big commissions like St Thomas’s Hospital in London, Gatwick Airport and Manchester Magistrates Court – the store was built in 1963.

As for the building’s future, it means that any decision must now be taken between Sheffield City Council, Historic England, and all other stakeholders, including the C20 Society, in helping to define potential use.

This might prove a stumbling block for some of the ’15 or 16’ applicants but will not deter serious bidders (look at Park Hill as an example).

Demolition isn’t ruled out, but it would be a long process, the final decision resting with the DCMS. But it has happened before. In 2013, after a long campaign to save it, the Grade II listed Jessops Edwardian building was flattened to make way for the University of Sheffield’s futuristic Diamond block.

Cole Brothers new store building in 1963. Image: RIBA Pix
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People

The Chinese in Sheffield

New Era Square. Sheffield’s Chinatown. Image: DJP/2022

According to the South China Morning Post there are at least 8,000 Chinese students in Sheffield, as well as other sizeable groups from Hong Kong. The University of Sheffield is said to earn £85m from them, and is one of nine UK universities that rely on Chinese income for a fifth of their revenue.

It hasn’t always been this way. When did the Chinese come to Sheffield?

It seems that Chinese people have been settling in Britain for over 200 years, coming via trading routes such as between Liverpool and Shanghai. Outside of London, the largest Chinese communities are in Manchester, Birmingham, and Liverpool.

With a rise in demand for Chinese cuisine from the late 1950s, and the collapse of the agriculture sector in rural Hong Kong, many more Chinese came to the UK.

The earliest reference to Chinese settlers in Sheffield can be found in the burial register for St Paul’s churchyard (now the Peace Gardens) for 1855, when A. Chow, son of Too Ki (a magician), was buried.

The next reference isn’t until 1910 – a laundry proprietor named Yun Wong with a business on Abbeydale Road is listed in a trade directory for that year. However, it wasn’t until the 1960s that many more Chinese came to settle in the city.

The 2001 census recorded 2,200 Chinese people in Sheffield, with an additional 1,000 students of Chinese origin. By 2011, this figure had increased to 7,400. The highest concentrations of Chinese are found in Highfield, Sharrow, Broomhill, and Broomhall. They have come from mainland China, Hong Kong, Macau, Malaysia, Singapore, Taiwan, as well as other parts of Britain.

Now we have New Era Square, dubbed Sheffield’s Chinatown, conceived by UK-Chinese Sheffield businessman Jerry Cheung, and designed by architects Hadfield Cawkwell Davidson.

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People

Johnny Moran – The first voice on Radio Hallam

The death is being reported of Johnny Moran, one of the original BBC Radio One DJs, and the first voice heard on Radio Hallam in October 1974.

His mother was born in Sheffield, and the family emigrated to Australia where he was born.

Johnny Moran began his career on Australian radio before joining Radio Luxembourg in 1964. He worked there for two years until moving to the UK in 1966. At the BBC, he presented Radio One Club, Housewives’ Choice, What’s New, and the pop magazine programme Scene and Heard, which ran for almost six years.

In 1974, while working for British Forces and recording a series of shows syndicated in North America, he met Keith Skues at a party given for singer Barry White, and first heard about the plans for Radio Hallam, the commercial station based at Hartshead in Sheffield.

He came ‘home’ to Sheffield and became a voice of a generation, presenting the breakfast show until the late-1980s.

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Buildings

Replacement chimneys arrive at Pepper Pot building

A chimney stack is lowered into place. Image: Sheffield Star

The Sheffield Star has posted several photographs of ‘fake’ chimneys that are being installed on the Pepper Pot building.

Six historic chimneys were removed as part of Heart of the City reconstruction, with only the façade remaining.

The Pepper Pot building is in Block C, bound by Pinstone Street, Cambridge Street and Charles Street.

Developers had asked for permission to change its original plans, by reducing the number of chimneys – designed by architects Flockton and Gibbs – and replicating only one.

Sheffield City Council’s planning committee overwhelmingly rejected the bid against the advice of officers who warned that refusal would put economic, social and environmental benefits of the scheme on hold and may lead to other cost cutting.

The replacement chimneys are two-tonne, 10ft ‘brick’ stacks, and thought to be made from glass reinforced concrete.

The pre-formed feature was seen on a lorry on PInstone Street ahead of being winched to the top of the Pepper Pot building. Image: Sheffield Star
A replacement a two-tonne, 10ft brick stack. A total of six were removed as part of a total revamp of the building. Image: Sheffield Star
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Buildings

Welcome to the Tanya Moiseiwitsch Playhouse

The Crucible Studio theatre is no more. Sheffield Theatres have announced that its small space is being renamed as the Tanya Moiseiwitsch Playhouse in honour of the theatre designer who played an important part in the creation of the theatre complex.

“Tanya Moiseiwitsch was a pioneer. Innovative, imaginative and a ground breaker in her profession,” says Artistic Director Rob Hastie. “Tanya created radical theatre shapes now enshrined and cherished in theatre buildings all over the world. Without her vision, neither the Crucible nor the newly named Playhouse would exist in the forms they do. Hers is an incredible legacy.”

The new name also honours the original Sheffield Playhouse, that closed its doors in 1971 when the company moved to the new Crucible Theatre. “The Playhouse had a reputation for bold, adventurous, and revolutionary productions, under the leadership of inaugural Crucible Artistic Director, Colin George,” says Rob Hastie.

Over the 50-year history of the space, audiences have seen performances from hundreds of actors, from professional debuts to famous faces including Victoria Wood, Alan Rickman, Tracey Bennett, Shaun Parkes, Niamh Cusack, Richard Wilson, Stephanie Street, James Norton, Chetna Pandya and Rose Leslie.

The 400-seat Studio theatre (for drama and music). Image: BFF Architects
Tanya Moiseiwitsch by Francis Goodman. 1947. Image: NPG

Tanya Moiseiwitsch (1914-2003) was regarded as one of the foremost designers in twentieth-century theatre, an innovative designer of costumes, sets, and stages, responsible for over two hundred productions in England, Canada, and the United States. 

She enjoyed long collaborations with director Tyrone Guthrie, beginning in 1945 at London’s Old Vic. When Guthrie was invited to Canada to establish the Shakespeare Festival Theatre in Stratford, Ontario, he asked Moiseiwitsch to join him. The stage conceived by Guthrie and Moiseiwitsch was made of wood, thrusting out into the audience, and fostering a sense of intimacy between actors and audience.

In Minneapolis, where she was the principal designer at the Guthrie Theater from 1963–1966, she again designed a thrusting stage like the one she had designed in Stratford. 

Returning to England in the 1970s, she designed plays both for the National Theatre and the West End, as well as designing the stage for the Crucible Theatre. 

“The shape of the Crucible’s thrust stage was Tanya’s creation, and the studio is a smaller version of that unique performing space,” says Lucy George, daughter of the Crucible’s inaugural Artistic Director, Colin George,

“Tanya was a beloved member of the company and an inspiration for so many designers and women in the performing arts. The Sheffield Playhouse, the predecessor of the Crucible, is still remembered fondly by so many of us. The naming of the Tanya Moiseiwitsch Playhouse clarifies the connection between the Playhouse and the Crucible and ties together 100 years of Sheffield theatre history, recognising Tanya’s long-lasting impact on theatre design. Naming a theatre after Tanya would have pleased Dad enormously.”

Tanya Moiseiwitsch and Colin George. Image: George Family Archive
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Buildings

Bethel Chapel – Operator sought for live entertainment venue

An operator is being sought for a new live entertainment venue as part of Sheffield’s Heart of the City scheme.

Sheffield City Council and its strategic development partner Queensberry are inviting interest from potential operators for Bethel Chapel.

Located on Cambridge Street, the Bethel Chapel building, which dates back to the 1830s, is currently being refurbished and will become the latest addition to the strong tradition of live music and performance spaces in Sheffield when it opens next year.

The venue represents a key component in Heart of the City’s ‘cultural and social’ focal point in the area, and is set to complement the Cambridge Street Collective food hall development, and the independent retail, studio and maker spaces in Leah’s Yard, which will also both open next in 2023.

The successful operator of Bethel Chapel will be responsible for curating all events and social activities – expected to be live music, comedy and other live arts.

Alongside the live entertainment space on the ground floor, there will be a bar and café area on the first floor and the top floor will also have an external roof terrace and balcony. A new outside space at the rear will have seating areas for Bethel Chapel and the adjoining Cambridge Street Collective.

The foundation stone for Bethel Chapel was laid in July 1835 and opened for services in June 1836. The Primitive Methodist Bethel Chapel existed for just over a century and its final service was on Sunday 20th September 1936.

It was briefly empty before George Binns, an outfitter at Moorhead, bought the old chapel to relocate its business. The small churchyard at the front was swept away, including iron railings and stone pillars, and probably a few gravestones. In 1938 a two-storey extension was added to the front of the chapel, with stone initials on its parapet showing ‘GB’ and the date ‘1868’, the year the business was founded.

By the 1960s the shop had transferred to Lawsons Outfitters and in 1977 it was acquired by Cole Brothers (later John Lewis) to alleviate pressure on its store across the road.

Bethel Chapel. The original chapel can be seen behind the 1930s extension. Image: Picture Sheffield
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Buildings

It’s time to wrap-up John Lewis

Proposed vinyl wrap for the front of the former John Lewis store. Image: Sheffield City Council

What do you do if a building is looking tired? As in the case of the former John Lewis store in Barker’s Pool. One solution is to cover it in vinyl wrap. And that is the proposal by Sheffield City Council which has submitted a planning application to shroud the 1960s building with a massive advertisement until its fate is decided.  

Side elevation on Cambridge Street. Image: Sheffield City Council
John Lewis closed permanently last year and is awaiting redevelopment. Image: DJP/2022
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Streets

Holy Green – the small road between The Moor and Charter Row with a big history

Holy Green, Sheffield. Image: DJP/2022

This article first appeared in The Star in April 2022, and is included here for the first time.

I suspect most Sheffield people will struggle to say where Holy Green is. It could be a village green in a rural idyll, but it is in the city centre, an uninspiring little road that stretches from The Moor to Charter Row between Atkinsons and Sainsburys.

Most of it remains hidden underneath the huge concrete ramp that allows drivers to enter the multi-storey carpark above Atkinsons.

This was once an extension of Eldon Street but hidden underneath the sprawling mass of Atkinsons department store is an extraordinary history that gives Holy Green its name.

A reminder of its past. Holy Green, Sheffield. Image: DJP/2022

We must go back to the 1700s when Sheffield was a town surrounded by fields and countryside. It gradually expanded until its southern edges skirted a gorse-clad swampy common called Sheffield Moor.

A footpath of single stone was eventually cut through the heath leading to the tiny hamlet of Little Sheffield.

It was a gentleman called Thomas Holy (1752-1830) who built a house at the edge of Sheffield Moor. Holy Green House had a straight avenue of large leaved poplars leading to its substantial doorway, with a kitchen garden at the back, and a grass field called ‘The Croft.

He was a cutlery manufacturers’ merchant and a member of an old Sheffield family of button-makers and soon afterwards added the small works of Holy, Suckley and Co. at the back of the house towards Button Lane (taking its name from the factory, and broadly following the line of present-day Charter Row). He built-up the business until it became an international concern, later diversifying into mining and other mineral activities.

Holy Green House, The Moor, between Eldon Street and Prince Street. Home of Thomas Holy, who entertained John Wesley here. Mr. Abraham, principal of Milk St. Academy, resided here, and also used it for boarders and evening classes. Image: Picture Sheffield

Thomas also became a prominent landowner, buy tracts of land from the Duke of Norfolk, and later leasing it to developers in what became the residential suburbs between Glossop Road, Broomhill and Fulwood.

He was also an early member of the Sheffield Wesleyan Methodist Society and was actively involved in the building of Carver Street Chapel (now Walkabout) in 1805.

John Wesley was a guest of Thomas on several occasions.

In 1786, “after preaching service (at Norfolk Street Chapel) crowds followed Wesley to Mr Holy’s house on the Moor, the streets were lined, and the windows filled with people anxious to have a glimpse of him. During the walk Wesley emptied his pockets scattering gifts to the poor. A vast crowd assembled in front of Mr Holy’s house. Wesley walked into their midst, knelt, and asked God to bless them, the crowd weeping at the thought of losing him.”

Thomas Holy died at Highfield House in 1830, but by this time Holy Green House was occupied by John Hessay Abraham, a Fellow of the Royal Society, and Principal of the Milk Street Academy, a classical, commercial, philosophical, and mathematical seminary for boys, some of whom boarded at his house.

On his retirement in 1835, his daughters, Mary, and Eliza, opened a girls’ school at Holy Green House.

“There were balsam poplars edging the walk, the scent of which was delicious after a shower in the spring, and a clematis arbour in the back garden abutting onto Button Lane.”

J.H. Abraham had been presented with a service of silver plate when he retired, and the girls drank their supper milk and water from silver beakers served by a man servant in white cotton gloves.

The music master was a handsome young Hungarian called Welhi, who encouraged his girls to give concerts for the important people of Sheffield.

However, the most fascinating person was the French teacher, an old lady, who was strong-minded, eccentric, and wore a horsehair wig kept in place by a velvet ‘brain band’ and covered by a white cap.

She was fond of descending into the schoolroom at night, opening the shutters and reciting poetry in the moonlight. But she was also prone to outbursts with the girls.

“I, who am the daughter of one of Napoleon’s generals and the wife of another, oh why have I to teach the daughter of a tailor?’ she asked bitterly one day.

The school closed in 1855 and Holy Green House was taken over as lodgings for the Sisters of Notre Dame, from Namur, in Belgium, who had opened a Roman Catholic school on Surrey Street.

They also started a school here in what was destined to become the great Notre Dame School that has served generations of Sheffield Catholics ever since.

The Sisters of Notre Dame relocated to Convent Walk in 1860 and Holy Green House appears to have been empty for several years before becoming home and workplace to Samuel Smith Middleton, a wholesale beer merchant, and agent for breweries across the country.

This part of expanding Sheffield was still relatively undeveloped and by 1870 there was still open space at Holy Green House between Button Lane to Sheffield Moor, the original path now known as South Street with several one-storey shops.

It was in one of these shops that John Atkinson, a draper,  arrived in 1872, subsequently absorbing neighbouring properties built on the green lawns of Holy Green House. A passage led between the shops to the house, now hidden from South Street, and occupied by Ecclesall Working Men’s Club after 1871.

On the further extension of Atkinson’s premises, the low shops were demolished, as was Holy Green House, and the last of its picturesque grounds disappeared forever.

Holy Green, Sheffield. It is now used as a ramp into the multi-storey car-park. Image: DJP/2022

©2022 David Poole. All Rights Reserved.