Categories
Streets

A busker plays La Bamba to no one outside Marks & Spencer

The evening gets off to a bad start. There have been no trams for a week because of a broken track at Manor Top. It sounds absurd in this modern age. Worse still, the bus I go to catch only runs every hour and doesn’t turn up. I run for the tram replacement bus service, and that doesn’t turn up on time either. By the time I get into the city centre, I’ve spent over an hour getting here when normally it would be a twenty minute journey.

High Street 8.00pm

Next door to The Banker’s Draft, there is a handsome old building that houses an indoor golf centre called Glory Holes – a golf club for adults. It is one of four venues operating across the country and is brightly lit. I assume that councillors were blissfully unaware what a ‘glory hole’ was, because had they done so, they would have insisted that they choose another name.

I suspect that the price of its drinks will deter punters from The Banker’s Draft from entering its doors. There is a female sat on the pavement outside. She is probably a lot younger than she looks and is wrapped in a blanket. She looks sad and holds her hand out in the hope that I might give her money.

I cross the road and walk up High Street. I pass a bus shelter where a girl is crying, and a man holds her tightly. He tells her not to worry and looks woefully at a large group of people nearby. Each one of them is holding a bottle of cider or a can of beer, at least four of them have dogs, and they are all shouting words of advice. These people aren’t waiting for a bus because they don’t have anywhere to go. I wonder what the commotion is about and leave them to it.

Perched on top of the next bus shelter is a traffic cone and the glass roof makes it look like it is floating in the air. I decide this is a good photo opportunity and take my phone out to snap it. The Telegraph Building forms a backdrop and I’m pleased with the result. Afterwards, a polite voice asks, “Am I okay to pass now?” and I thank him for his patience.

I look at the man as he walks ahead of me because I know what will come next.

He swings around. “I don’t suppose you’ve got any change?”

“I’m sorry,” I say, “all my money is on here now.” I wave my phone to show him that I use Apple Pay. He doesn’t reply and gives me a sour look.

On the ground floor of the old Telegraph Building is a Sainsbury’s Local that opens until eleven. It is next door to German Doner Kebab that is half empty, but the rest of the street is in darkness, including Cavell’s bar that might once have done brisk business on a Sunday night.

In the absence of trams, and the infrequency of buses, the High Street has a despondent look about it.

Gosling’s plan of 1736 is the chief authority for saying that High Street was formerly called Prior Gate; and it is probable that hereabouts was the Priory, and its existence can only be known from old deeds.

That was the general belief, but historians are sceptical that a priory ever existed at all, as they are about King John, who was supposed to have stayed at the White Horse Inn on Prior Gate while passing through Sheffield. I imagine an old Sheffielder telling a tall tale that became rooted in history.

The High Street we know today goes back to the street widening of the 1890s. Prior to this, it was much narrower with quaint and picturesque timbered gables, latticed windows and swinging signboards. Robert Eadon Leader told us that in the eighteenth century there were loads of hay that stuck fast, unable to pass the projecting upper story of Mr John Cooper’s confectionery shop.

The Sheffield Directory of 1787 mentions eight victuallers on this street, quite different from the present day. But it was always a shopping street, and all this was swept away so that the sites of its old buildings could not be located with certainty.

The High Street of the twentieth century was busy with elegant shops lining both sides. Most buildings survive but the lower end was obliterated during the Blitz of 1940.

By now, I’ve reached Wendy’s and McDonald’s, which are the busiest places tonight. People queue for takeaways and the tables are occupied by youngsters who see them as a place of refuge on a chilly night. Outside, where High Street meets Fargate, there are parked cars belonging to drivers collecting burgers and chips and then delivering them to the outreaches of the city centre.

Burger King has opened at the end of Fargate, the last of the big chains to get a foothold here. I’m meeting a friend, and he’s silhouetted against the takeaway’s cheerful interior. As I approach, he lights a cigarette and starts counting.

“One, two, three…”

He counts to seven before an unshaven male accosts him. The man is wearing an odd assortment of clothing, none of it designed for winter, and asks my friend for a ‘spare’ cigarette.

The irony is not lost on me.

This is where our ancestors used to meet for a night on the town. It was referred to as Cole’s Corner, a nod to Cole Brothers that once stood here, immortalised in a song by Sheffield’s Richard Hawley and one that has even found its way into Standing at the Sky’s Edge, the musical that recently moved to London’s West End.

Fargate 8.15pm

If High Street appears bleak, then Fargate surpasses it.

This was once the ‘far gate’ from the Parish Church and became Sheffield’s premier street. It was widened to accommodate traffic, its shoppers spilling from the narrow pavements as they jostled to get into the shops. There is a quote from a 1960s newspaper that called it the ‘Oxford Street of the north.’

Tonight, the scene on Fargate is anything but.

It was pedestrianised in the 1970s, and is now a building site, reinventing itself yet again, this time as a £15.8m social hub, to replace shops with event spaces, hospitality, and eating places. The paving is being changed and there will be flower beds promoting Sheffield’s ‘grey to green’ image.

For now, it is a maze of orange barriers, builders’ hoardings, and signs telling us how great it will be.

A busker plays La Bamba to no one outside Marks & Spencer and I wonder how he expects to earn a living. My friend suggests that he is doing it because he simply likes singing.

The shops are closed, but most are empty anyway. Gone are the big chain stores, replaced with vape stores and pop up shops. The last time that Google’s Streetview came here was in 2018 and it showed full occupancy. Since then, the decline has been rapid, and Fargate has become the classic tale of a street that lost its way.

People say that Meadowhall killed it, and while it didn’t help, we must remember that this was a quarter century ago.

I look at my iphone and realise that this is the reason we’ve fallen out of love with shops. Lockdown altered our habits, and retailers finally realised that we preferred to shop without physically shopping.

Tonight, some of the doorways are occupied by rough sleepers. They may or may not feel safe inside their sleeping bags but are far enough away from the party crowds of Carver Street and West Street to avoid being disturbed.

People walk past them, and I hear snatches of conversation, but cannot understand because they speak in different languages. The demographics say that Sheffield is 84% white, 8% Asian, and 4% Black. On Fargate, they are all speaking Eastern European. These are diligent people that will shape the city’s future, but I speculate as to what could entice them into the city centre tonight.

Towards the top end of Fargate is a recently opened Tesco Express that appears to be the liveliest place on the street. Along with other metros/express/locals opened by the big boys, this provides convenience shopping for daytime workers and shoppers, but on a Sunday, is more likely to service those mysterious folk who have moved into apartments.

A security guard stands in the doorway and keeps an eye on a group of kids riding bikes. They are masked like little ninjas and puffing on sweet-smelling vapes that look like fireworks in their hands. One of them asks me the time and I look at the Town Hall clock and tell him. I realise that they are up to no good but can’t quite determine what they are doing wrong.

At least they are riding proper bicycles, ones that take effort to ride, because every few minutes the silent killers on their electric bikes ride past. Somebody recently joked with me who might kill him first. Would it be Uber Eats or Deliveroo?

While we are walking, I remember an article that I read in Monocle magazine where an expert gave his views on the pedestrianisation of our cities.

“I have nothing against pedestrianisation, but if you’re going to do it, make sure there is something to encourage people to use it. Otherwise, life will be sucked out of the street.”

My friend says that Fargate will look nice when it is completed, and I must agree with him. But I am impatient, and it looks such a long way ahead.

We go to Benjamin Huntsman on Cambridge Street and start our Sunday Night Podcast, one that must never be heard by anybody else, because it is when we drink pints of Guinness, be politically incorrect, and put the world to right.

© 2024 David Poole. All Rights Reserved.

Categories
Buildings

No. 9 Fargate

No. 9 has stood at the end of Fargate all our lives. It is the tall, detached building standing between Chapel Walk and Black Swan Walk and is in a sorry state.

It is hard to imagine that this building was part of the Victorian renaissance of the old town centre, one that marked the widening of Fargate and set the building line for later High Street improvements.

Plans to widen Fargate were proposed in 1875, but it was not until the late 1880s that work started. Old buildings on the east side were flattened extending back from Fargate for distances varying from 60ft to 240ft.

A glamorous view of the widened Fargate (not Fragate as the photograph says) with A.H. Holland on its single plot between Chapel Walk and Black Swan Walk. (Image: Picture Sheffield)

It would appear that Lot 4, a plot of land containing about 150 square yards on the north side of Chapel Walk and south of a foot road (Black Swan Walk), with a frontage of 19ft to Fargate and 72ft to Chapel Walk, had been the site of the Black Swan Public House.

In 1887, Sheffield Corporation paid William Davy, the licensee, £11,160 for the land and demolished the pub.

The freehold was bought in 1888 by A.H. Holland, Provisions Merchant, founded in 1844 by Alwin Hibbard Holland, whose previous shop had been at No. 3 Fargate, one of those flattened for street widening.

Alwin Hibbard Holland had died in 1883, the business continuing through his wife, Eliza, and youngest son, Alwyn Henry Holland. (His eldest son, Kilburn Alwyn Holland, also had a provisions business, but appeared to have played only a small part in the family business).

Eliza Holland played an important role in the success of A.H. Holland, but it was Alwyn (whose story will be covered in a future post) who established the business in new premises at No. 9 Fargate.

Alwyn had been educated at Brampton Schools, Wath upon Dearne, before becoming a pupil, and afterwards, assistant to Sheffield-architect John Dodsley Webster.

After his father’s death, he joined A.H. Holland which he ran with his co-executors, and co-designed the new premises along with Flockton, Gibbs and Flockton.

Thomas James Flockton had negotiated the purchase of the property and acted for Sheffield Corporation in the resale to Alwyn Holland, a fact that did not go unnoticed to sharp-eyed citizens.

A.H. Holland fronted Fargate and stretched down Chapel Walk. (Image: Picture Sheffield)

Building work started in early 1889, with Sheffield-builder George Longden and Son chosen for the work, but progress was hampered when bricklayers and labourers went on strike demanding more money.

The new shop was eventually completed and opened to an expectant public on 9 November 1889 selling the ‘highest class goods at the lowest possible prices’. As well as the shopfront on Fargate, the premises extended down Chapel Walk occupying Nos. 1 to 15. The firm was awarded prize medals at the London International Exhibition and the International Dairy Show, sufficient for it to become sole agent for Lord Vernon’s Dairy (from Sudbury Hall in Derbyshire).

In 1891, the Rutland Institution occupied rooms overlooking Fargate above the shop. It was named after the Duchess of Rutland, who opened it, and was formed in connection with the Sheffield Gospel Temperance Union.

Busy days on Fargate with A.H. Holland’s awning stretching to the road. (Image: Picture Sheffield)

As well as being a shopkeeper, Alwyn Holland was a watercolour artist and his work was displayed inside the shop, ‘displaying marked originality both as an architect and an artist’.

It might have been Holland’s aspirations as an artist that ultimately led to the downfall of A.H. Holland.

With a sizeable income the firm built new property on adjoining Chapel Walk, renting out eight shops at ground level with a large suite of assembly rooms upstairs, including the Howard Gallery, for high-class art exhibitions, and Holland’s Restaurant.

The gallery opened in 1898 but proved a failure, closing its doors in 1904. By this time, the Rutland Institution had moved out, and the entire upper floor was extended into rooms above No. 9 Fargate and remodelled as tea rooms.

Advertisement for A.H. Holland – ‘The Provisions Store’ – on Fargate and Chapel Walk. (Image: Sheffield History)

In 1906, a new company was created, Hollands Ltd, to take over the business carried on by Eliza Holland and Alwyn Henry Holland at No. 9 Fargate and Nos. 1 to 15 Chapel Walk, as well as the restaurant business carried on by Alwyn at 17-23 Chapel Walk (and also at Sheffield University Rectory).

Joining Eliza and Alwyn as directors were Smith William Belton, a provisions merchant from Market Harborough, William Whiteley, a Sheffield scissor manufacturer, Richard P. Greenland, Liverpool soap manufacturer, Arthur Neal, Sheffield solicitor, and George Shuttleworth Greening, accountant.

A second grocery and provisions business were established on Whitham Road at Broomhilll, but despite new investment things did not go particularly well for A.H. Holland, and in 1909 the business slipped into voluntary liquidation.

Net losses since the formation of the new company amounted to £3,826 and directors attributed poor performance to deficient continuity of management, shortness of working capital, and consequent loss of business due to the depression in Sheffield.

Sad times after the demise of A.H. Holland. No. 9 Fargate and properties on Chapel Walk were sold at auction. (Image: The British Newspaper Archive)

The following year the freehold of No. 9 Fargate was offered at auction, as was the leasehold portion on Chapel Walk, once home to the Howard Gallery and Holland’s Café.

By the end of the year, No. 9 Fargate was used as an auction house by Arnold, Prince, Bradshaw and Company, and the following year fell into the hands of Sykes and Rhodes, costumiers and furriers, which remained until 1924.

Sykes and Rhodes (Image: RIBA)

By this time, the building had suffered from Sheffield’s age-old problem of black soot, darkening the stone, making it rather ‘dull-looking’.

However, the building was about to be reinvented with the opening of a shop in Sheffield by one of Britain’s leading tailors.

“A cynic has remarked that one of the reasons why Austin Reed Ltd have opened a shop in Fargate is because the male members of the community in Sheffield need attention in sartorial details.”

Austin Reed opened in Sheffield in 1924. (Image: The British Newspaper Archive)

The business had been founded by Austin Leonard Reed (great grandfather of Asos founder Nick Robertson) and claimed to be the first menswear store to bring made-to-measure quality to the ready-to-wear market. Its first store was in London’s Fenchurch Street and by 1924 had branches in all the most important towns and cities of England.

“Time is not so long distant when Sheffield relied on its old-established businesses, handed on from father to son, but, with the passing of the war, there came a change, and today, as quickly as premises can be acquired, firms with world-wide reputations are erecting palatial buildings, limited only by the space at their disposal.”

Austin Reed had illuminated signs fitted to the front of the building. (Image: Picture Sheffield)

The company spent a small fortune converting the building, the designs drawn up by P.J. Westwood and Emberton, of Adelphi, London, and involved the original builder, George Longden and Son.

Outside included a beautiful marble front erected by Fenning and Co., Hammersmith, made of Italian Bianco del Mare and Belgian Black Marble. The entrance lobbies contained lines of non-slip carborundum inserted into marble paving.

The building consisted of a basement, three sales floors, and an office situated at the top. They were linked by staircases and the lift, a survivor from A.H. Holland days.

The basement was used for dispatching, the ground floor for the tie, collar, and glove department, the first floor was for hats, shirts, and pyjamas, while the second floor formed the ‘new’ tailoring department.

Austin Reed, Fargate, in 1925. (Image: RIBA)

“Inside, everything blends and tones; there is nothing garish to the eye. The ground-work is of oak panelling, staircase, and fittings. On the ground floor, the firm has arranged six windows nicely furnished with parquet beds, the door at the back being glazed with embossed glass to the architect’s design.

“The window lighting – admired by thousands – is worked with x-ray window reflectors, and each window has a special plug for ‘spotlights’ or experimental lighting effects.”

The front of the shop was also illuminated with a ‘Dayanite’ electric sign installed by the Standard Electric Sign Works. This, and the window lighting, was controlled by a revolutionary time switch that allowed them to be switched off on Sundays.

A remarkably different Fargate with Cole Brothers on the opposite corner. (Image: Picture Sheffield)

While the outside was impressive, the interior had the latest shop-fittings made of lightly fumed oak, with polished edged frameless mirrors, supplied by George Parnall of Bristol and London.

The coat cabinets worked on an American principle where doors opened and disappeared into the sides of the cabinet, and a large rack, laden with coats on pegs, was drawn out and slowly revolved.

The counters had small reflectors and low-voltage gas-filled lamps, manufactured by G.C. Cuthbert of London, that provided white light and gave a brilliant effect to the goods.

Another innovation was an electric hat cleaner whereby a visiting customer with a hard felt hat could have it cleaned and renovated in three minutes.

The narrow-gabled front reflects the width of plots preserved from much earlier development on Fargate. (Image: Picture Sheffield)

Customers were most impressed with Austin Reed’s new payment and receipt system.

When an item was purchased the assistant placed the money, bill and duplicate into a cartridge that was inserted into pneumatic tubes, similar to those used in newspaper offices, that within ‘three second’ had reached the top of the building. The office assistant then placed the receipt and change in the cartridge and the procedure reversed.

The smart oak interior with bespoke counters at Austin Reed in 1925. (Image: RIBA)

Austin Reed also used several local contractors.

Decoration was completed by F. Naylor, of Abbeydale Road, plumbing by George Simpson and Co., from Broomhall Street, electrics by Marsh Bros., of Fargate, and the structural engineers were W.H. Blake and Co., from Queen’s Road.

Austin Reed remained at No. 9 Fargate the 1970s, the building becoming a Salisburys bag shop and subsequently a victim of the relentless ‘chain store shuffle’, its last incumbent being Virgin Media.

As I write, it is a pop-up Christmas store, in darkness due to Covid-19 restrictions, with a sun-tanning parlour above.

No. 9 Fargate. A pop-up Christmas shop in November 2020. Closed due to Government restrictions. (Image: David Poole)

© 2020 David Poole. All Rights Reserved.