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Buildings

Old Coroner’s Court

A miserable end for a fine old building. (Image: The Jessop Consultancy)

It is sad to be writing about a building that will soon be no more.

The Old Coroner’s Court on Nursery Street is to be demolished and replaced with 77 apartments, after a Government inspector overturned Sheffield City Council’s decision to halt the development.

Firestone, the developer, has been given permission to demolish the building as it is not listed, or in a conservation area.

It will be a miserable end for the building built in 1913-1914, one damaged during the Blitz, the subject of severe flooding, and an arson attack.

This grainy photograph was taken in 1914 shortly after the coroner’s court and mortuary had opened. (Image: The British Newspaper Archive)

At the end of November 1912, it was agreed by Sheffield Corporation that a new Coroner’s Court and Mortuary should be built on surplus land remaining after the widening of Nursery Street.

Prior to this, the land had been an area of mixed domestic, retail and industrial buildings, a far cry from the days when this was “a green and pleasant land, when salmon could be caught in the Don, and flowers gathered in the meadow” of Spittal Gardens, or the Duke of Norfolk’s Nursery.

The new Coroner’s Court was championed by Dr W.H. Fordham, of the Heeley Ward, chairman of the special committee set up to build it. The urgency was to replace the old coroner’s court that had stood on Plum Lane, off Corporation Street, since 1884, and had long been a disgrace to the city.

The building was designed by Sheffield’s first city architect, Frederick Ernest Pearce Edwards (1863-1945), who had previously held a similar position with Bradford Corporation.

The Coroner’s Court in 1914. (Image: The British Newspaper Archive)

Built of brick and stone, it drew on the design of Gothic Revival, Queen Anne, and Baroque traditions of the nineteenth century. Construction was by George Longden and Son and cost £5,000 to build.

The main courtroom was 30ft x 20ft and 25ft high. Within the building were various mortuaries, waiting rooms, jury retiring rooms, coroner and doctor waiting rooms, viewing rooms, coach and motor houses, stables, and a caretaker’s house.

It was furnished throughout in oak and contained all the ‘up-to-date’ appliances, including fixed and revolving tables in the post-mortem room.

The coroner at the time was Mr J. Kenyon Parker, but the first case held here was in May 1914 when Dr J.J. Baldwin Young, deputy coroner, investigated the death of Edward Villers, a labourer, and determined that he ‘hanged himself while of unsound mind.’

Buildings behind were added in the 1920s, and following bomb damage in December 1940, new plans were drawn up by W.G. Davis, city architect, in 1952-1953 to extend the courtroom buildings.

There is a chance that the developer will preserve the original date-stone. (The Jessop Consultancy)

The opening of the Medico Legal Centre on Watery Street, Netherthorpe, in the 1970s, brought an end to grisly proceedings on Nursery Street.

It became Sheffield City Council, Employment Department, Enterprise Works, and was subsequently sub-divided into 36 principal rooms. In later years it was known as the Old Coroner’s Court Business Centre.

Unfortunately, little remains of the original internal detail, but the outside is virtually untouched apart from minor restoration.

The building has been empty for several years and the developer had hoped to incorporate it into the new development, but this was considered unpractical.

And so, we lose another one of our historic buildings, to be replaced with something considered to be “favourable towards the character and appearance of the area.”

The inside of the building was sub-divided and this space once formed part of the old courtroom. (Image: The Jessop Consultancy)
The proposed development on the site of the Old Coroner’s Court. (Firestone)

© 2020 David Poole. All Rights Reserved.

Categories
Buildings

Chubbys: An obvious link with the pub next door

Chubbys, Michelin Three Star cuisine for the inebriated, is to close after 40 years.

The legendary takeaway on Cambridge Street will shut for the last time on Bank Holiday, August 31.

It has been a long journey for Mehran Behizad, Iranian by birth, who first came to Sheffield in 1973, to study industrial design at the polytechnic, but met his Sheffield-born wife and decided to stay and raise a family.

He set up Chubbys in 1980 with a few business partners but eventually became the sole owner. When it opened, it was only one of two late-night takeaways in the city centre, arguably the first place to get a kebab.

However, the staying power of Chubbys means we do not look beyond the familiar sign above the door.

The takeaway shares the same building as the empty Tap & Tankard (formerly The Sportsman) next door. Both ground floor units have two storeys above, with white painted red-brick and mock Tudor detailing, with applied black timber over Chubbys.

The date of construction is unknown, but we can trace The Sportsman’s Inn (later to become The Old Sportsman’s Inn and then The Sportsman) to 1828, which might suggest that the whole building was once used as a public house.

It also suggests that this is one of the oldest buildings on Cambridge Street, tracing its origins back to the days when it was still called Coal Pit Lane.

Before Chubbys, the unit had many uses, but had strong links with food and drink, at one time being a grocery shop, George Alfred Webster’s Dining Rooms, and the Cambridge Coffee House.

It is now subject to a compulsory purchase by Sheffield Council to make way for the ambitious Heart of the City II project and 70-year-old Mehran is using the opportunity of the enforced closure to retire.

The good news is that the building will be incorporated in the adjacent Leah’s Yard restoration, while the bricked-up former works below Chubbys will be demolished and become an open-space linking to the soon-to-be-restored Bethel Chapel.

And there is a suggestion that after the Covid-19 crisis subsides Chubbys might resurrect itself somewhere else in the city centre.

© 2020 David Poole. All Rights Reserved.

Categories
Buildings

Bethel Chapel: a new beginning for a hidden building

Sometimes there is more to a building than meets the eye. This former shop on Cambridge Street hides an interesting past and will be reborn soon.

We know it as the former Sports and Toy Departments of Cole Brothers, more recently as a city centre outpost for Stone the Crows, but this empty shop is a 1930s front extension to the Bethel Chapel which stands behind.

From John Lewis’ car-park you can look down and see that the chapel, built in 1835, still survives behind the street frontage.

The chapel owes itself to John Coulson, the first leader connected with the Primitive Methodist Movement in Sheffield. A small society had been formed and services held in a building in Paradise Square. The movement seized hold of the working classes and later bought an existing old chapel in deprived Coal Pit Lane (later to become Cambridge Street), about 1823.

A few years later plans for a new building nearby were prepared and the mainly poor congregation helped demolish an existing house that had been converted into tenements. The foundation stone for the new chapel was laid in July 1835 and opened for services in June 1836.

The Primitive Methodist Bethel Chapel existed for just over a century and was latterly connected with Sheffield Methodist Mission. Its final service was on Sunday 20th September 1936.

(Image: picture Sheffield)
(Image: Picture Sheffield)

It was briefly empty before George Binns, an outfitter at Moorhead, bought the old chapel to relocate the business.

The small churchyard at the front was swept away, including iron railings and stone pillars, and probably a few gravestones.

In 1938 a two-storey extension was added to the front of the chapel, with stone initials on its parapet showing ‘GB’ and the date ‘1868’, the year the business was founded.

(Image: Picture Sheffield)

By the 1960s the shop had transferred to Lawsons Outfitters and in 1977 it was acquired by Cole Brothers (now John Lewis) to alleviate pressure on its store across the road.

With a short spell as Stone the Crows, the building has been vacant for several years, with the ‘ghost name’ of ‘Lawsons’ revealing itself above shop windows.

(Image: Graham Soult)

Now subject of compulsory purchase, Sheffield City Council, with its partner Queensbury, is now looking for occupiers to run it as a performing arts venue as part of Block H in the ongoing Heart of the City II development.

The question. How much of the old chapel interior remains?

NOTE: Bethel Walk is between Bethel Chapel and the former Bethel Chapel Sunday School, a listed building also included in Heart of the City II plans.

(Image: Picture Sheffield)
(Image: Picture Sheffield)

© 2020 David Poole. All Rights Reserved.

Categories
Buildings

On this day: the fall of Sheffield Castle

A drawing of Sheffield Castle by Kenneth Steel (1950)

On this day, 376 years ago, after a short siege, Sheffield Castle was surrendered to the Parliamentarian army by Royalists, and its fate was sealed.

On August 11th, 1644, Major Thomas Beaumont handed the castle over to Major-General Crawford and Colonel Pickering of the Parliamentary army.

“The Castle, with all the fire-arms, ordnance, and ammunition, all their furniture of war, and all their provisions, to be delivered to Major-General Crawford, by three o’clock in the afternoon, being the 11th of this instant August, without any diminution or embezzlement.”

The castle was founded in the late 11th or early 12th century, possibly by Roger de Busli, at the confluence of the rivers Don and Sheaf. The castle became one of the largest and most important in the north of England and was rebuilt and developed by the de Lovetots through the 12th century and by the Furnivals in the 13th. By the 15th century, the castle had passed to the Earls of Shrewsbury and subsequently to the Dukes of Norfolk.

Two years after the surrender, on 30 April 1646, the House of Commons passed a resolution that Sheffield Castle should be made untenable, and on 13 July 1647 a resolution was passed for the castle to be demolished.

Despite considerable demolition work, in 1649 the Earl of Arundel (a title of the Duke of Norfolk) repurchased Sheffield Castle with the intention of restoring it, but the damage was too severe, and was completely razed; for a while it was used as an orchard, and then a bowling green, before being built over.

Following the demolition of Castle Market, the site is an empty space, awaiting its next adventure, with recent archaeological excavations still revealing some of its secrets from centuries ago.

Categories
Buildings

Wicker Arch

(Image: Stanley Walker)

The Wicker Arch is one of Sheffield’s most famous landmarks, and yet, we take it for granted.

It is one of Sheffield’s greatest engineering projects and is a small section of a complex system of 41 arches completed in December 1848. The viaduct is 660 yards-long, and crosses the Don Valley, taking its name from The Wicker which the main arch passes over.

The Wicker Arches were built for the Manchester, Sheffield and Lincolnshire Railway Company, extending the railway from an old station at Clay Gardens (Bridgehouses), through the Nursery (Street), across The Wicker, over the River Don, the site of the old Blonk dam, the yard of the Sheaf Works, and the canal. The portion of the viaduct between The Wicker and Effingham Lane had increased width to accommodate the Victoria Station and was about 300 yards in length.

It was the brainchild of John Fowler, the Sheffield-born engineer-in-chief for the railway company, who later designed the Forth Bridge. The arches were made of brick, faced on each side with rows of stone quoins. The piers were massive and described at the time as being “built to withstand a bombardment rather than any pressure from above.”

Royal visit of King Edward VII and Queen Alexandra in 1905. (Picture Sheffield) 

John Fowler regarded the showpiece of the project as being the arch that crossed over The Wicker and employed Sheffield architects, Weightman and Hadfield, to add ceremony to the design, with construction carried out by Miller, Blackie and Shortridge

It was a wide elliptical arch, 30ft high and 72ft long, with voussoirs, flanked by single 12ft wide round-arched footways, edged by Tuscan pillars, with imposts, key-stones, and hood-moulds. Above each footway arch was a relief panel with a coat of arms. An attached building provided an entrance and staircase to the Victoria Station.

The Wicker Viaduct (as it was known until the 1850s, and later Victoria Station Viaduct) was not without its problems.

Several workmen died during construction, including three men who fell to their death when scaffolding collapsed underneath the right-hand Wicker Arch in 1848.

There were also several archway collapses, including one shortly before its completion, where one of the smaller arches collapsed with a “dull heavy thud.” It was a hazard of Victorian engineering, but nothing like the dramatic collapse of 20 arches at the Rother Viaduct, six miles away, built at the same time.

The project also cost the Manchester, Sheffield, and Lincolnshire Railway more money than envisaged,  and it had to scale back construction to cut losses.

On 12th December 1848, a ceremony was held at the completion of the “great arch,” the final piece of the Wicker Viaduct. It was said that the viaduct contained a greater amount of cubic masonry than any other and was considered the largest piece of masonry ever constructed in Britain.

The Wicker Arch was decorated in banners and those present included Dr Mariano Martin de Bartolomé and Thomas Blake, both directors of the railway company, Thomas Dunn Jeffcock and William Fowler, company land agents, and John Shortridge, the contractor.

As the keystone was lowered into place, Dr Bartolomé acted as chief mason, and gave a brief but animated speech where he stated that “the eastern part of the railway should be characterised for what they had done, rather than for what they had said.”

He complimented the engineer and contractor on the solid character and appearance of the work, and afterwards there were three mighty cheers and “one cheer more” for the success of the line.

Shortly afterwards an engine and two carriages passed over the viaduct for the first time and continued to the junction of the Midland Railway at Beighton.

It is worth mentioning the heraldic carvings on the Wicker Arch, at the time considered by some in the railway company as being unnecessarily expensive and extravagant.

(Image: Stephen Richards)

Those on the side of town are the coats of arms of the Duke of Norfolk and of Sheffield. On the other side are the arms of the Earl of Yarborough, chairman of the Manchester, Sheffield and Lincolnshire railway, and the seal of the company which were grouped in the arms of Sheffield, Manchester, Ashton-under-Lyne, Retford, and Lincoln.

Most of the other arches were later brick infilled and have served as workshops ever since, most now hidden with adjacent buildings.

The main Wicker Arch survived a German bomb that fell during World War Two, and which repairs can still be seen. And who can forget the flood waters that lapped around its piers during the floods of 2007 after the River Don burst its banks causing devastation all around?

The area has changed considerably but the Wicker Arch still imposes itself as it did when first built. Some of the arches were dismantled during electrification, and now it is mainly goods rail traffic that crosses over it.

In 1990 a partnership between Sheffield Development Corporation, Sheffield City Council, British Rail, and supported by English Heritage and the Rail Heritage Trust, restored the arches to their former appearance, although there are concerns about its present condition and preservation.

Photograph of the Wicker Arch in 1952 by Picture Sheffield

© 2020 David Poole. All Rights Reserved.

Categories
Buildings

The Viaduct Scheme

Markets on a grand scale. The proposed retail markets sketched by Alwyn Holland for E.M. Gibbs. (Image: The British Newspaper Archive)

The former Castle Market site lays in transition waiting for the day when a park is created between Castlegate and Exchange Street.

It was demolished in 2015 allowing the few remains of Sheffield Castle to be excavated in detail.

The area might be run-down and demands attention, but had an extravagant scheme been completed over a century ago, the place might look vastly different now.

In 1911, Sheffield Corporation drew up plans to create a new street running from Great Central Station (Victoria Station) into the centre of the city. Objections were made by the Markets Committee that any such road would have made it impossible to complete its proposed new market scheme.

In response, the Sheffield architect Edward Michel Gibbs created an alternative plan whereby, instead of building the street at ground level, a new road could be carried on a viaduct, allowing the site beneath to be developed for market use.

“The street to the station would be similar in position to that recommended by the committee. It would run from Haymarket to Blonk Street, nearly in a direct line for the station, but instead of descending 26 feet to Blonk Street and then ascending 20 feet to the station yard, it would be carried on a viaduct on the level of Haymarket, then by a bridge over Blonk Street (26 feet high), and forward to a viaduct over the side of Smithfield Market to the station yard.”

A plan of the proposed Viaduct Scheme linking Great Central Station with Haymarket. (Image: The British Newspaper Archive)

The viaduct road would have resulted in level access to Great Central Station, avoiding traffic congestion in Blonk Street, and allowing for the expansion of the markets.

It was a radical scheme that also allowed for the creation of brand new market halls. A wholesale market would have been constructed underneath the viaduct, covering an area of 13,960 square yards, and built on part of the River Sheaf.

On top of the viaduct were to be retail markets, with bold balustraded parapets, and set back 40 feet on each side of the new street, fronting onto a decorative space almost as big as Fitzalan Square. With 5,555 square yards of selling space, the markets would have been bigger than the combined areas of the existing Norfolk Market Hall and Fitzalan Market.

A sketch of E.M. Gibbs’ Viaduct Scheme, drawn by local artist Alwyn Holland. (Image: The British Newspaper Archive)

Gibbs estimated the cost of the Viaduct Scheme to be £351,000, inclusive of land, road, viaduct, markets, and a new River Don Street from Blonk Street to Lady’s Bridge.

Unsurprisingly, Sheffield Corporation recoiled over the estimated cost (equivalent to over £16 million today) and refused to consider the scheme.

The Sheffield Daily Telegraph favoured the proposal and filled column inches with reasons why the council should at least consider it.

“There can be no doubt that the streets abutting onto the station approach are a disgrace to the town. They are dangerous, congested and filthily dirty, and they give the visitor to Sheffield a first impression of squalor and sordidness.

“If they alight at the station, what do they see? On the right a piece of wasteland: on the left a road that dips under the railway and is flanked with ugly stone walls; straight before them a sloping road leading to a narrow street of dingy, mean-looking buildings, with a dirty, battered ‘convenience’ of the worst and most ancient type standing proudly as a centrepiece.”

Gibbs published a pamphlet to convince people about the scheme and the council eventually agreed to discuss the proposal. However, the projected cost had increased to £398,000 and the Corporation went for the cheaper option.

The Sheffield Daily Telegraph was unimpressed.

“The Corporation have before them a scheme which is only a tinkering with an admitted evil, not a bold and generous attempt to extirpate it. It will suffice only for a generation or so.”

Unfortunately, World War One halted all plans for the markets, and it was not until 1930 that Castle Hill Market opened, subsequently replaced by Castle Market in 1959.

Castle Hill Market seen from the air in 1933. The new River Don Street in E.M. Gibbs’ Viaduct Scheme was the only part of the plan adopted by Sheffield Corporation. It was built in 1930 and became known as Castlegate. (Image: Historic England)

© 2020 David Poole. All Rights Reserved.

Categories
Buildings

Royal Victoria Crowne Plaza

(Image: David Poole)

In 1860, James Radley, founder of the Adelphi Hotel in Liverpool, suggested to architect Matthew Ellison Hadfield that Sheffield required a first-class hotel. “Merchants from America, the Continent, and elsewhere, have frequently returned to Manchester and Liverpool, instead of remaining in the town.”

This spurred the Sheffield architect into action, enlisting local businessmen, and choosing a site next to the Victoria Station.

The Duke of Norfolk supported the scheme, but not wishing to be a speculator, gave a £1,000 donation. Encouraged by this, about forty shareholders invested, and the Sheffield Victoria Hotel Company was founded.

However, once plans were made public, there was a negative response from the public.

“An hotel let us have by all means, but pray don’t build it where the first visit will most assuredly be the last.”

This reflected the proposed location of the hotel close to the railway, rolling-mills, forges, and factories, all of which belched gases and smoke from chimneys.

There were also concerns that the “putrid water beneath it,” would make it a most uncomfortable place. A reference to the polluted waters of the River Don.

And there were cries that the site was too far away from the town centre where it might have been more sensible to build a new hotel.

It later emerged that a rival consortium had planned to build a large hotel in the town, with a suggestion that negative press had originated here.

(Image: Picture Sheffield)

The Manchester, Sheffield, and Lincolnshire Railway Company granted the site next to the Victoria Station on favourable terms. Nevertheless, there were obstacles to be overcome, not least the fact that the land had previously been the site of a dam, and subsequently the solid foundations for the hotel ended up costing the company £1,500.

As a director, Matthew Ellison Hadfield, designed the new hotel and work started in 1861.

The first board meeting of the Sheffield Victoria Hotel Company was held in the boardroom at Victoria Station in February 1862. Those attending were Charles Atkinson (chairman), John Brown (mayor), William Frederick Dixon, Thomas R. Parker, Henry Wilkinson, John Jobson Smith (M, S and L Railway Company) , Michael Joseph Ellison, Frederick Thorpe Mappin, James Willis Dixon, Francis Hoole, John Hobson, Robert Younge, Matthew Ellison Hadfield, and Bernard Wake (law clerk).

(Image: Picture Sheffield)

With work underway, the company looked for somebody to take over management of the hotel. With the help of James Radley, who had committed £500 to the project, the company appointed George Meyer, proprietor of the Queen’s Hotel at Alderley Edge, Cheshire, built for the London and North Western Railway Company.

The Victoria Hotel consisted of a front and two-wings. It rose four storeys above the entrance to the Victoria Station with a basement.

A covered passage was built from the station platform to the north wing, leading into a lobby which ran through the building. From this were all the various trappings of a fine hotel – coffee rooms, two sitting rooms either side of the main entrance, dining room, assembly room, bar, and smoking room.

The staircases and corridors, illuminated with gas lamps, were built of stone.

(Image: Picture Sheffield)

The fifty bedrooms on the first, second and third floors occupied the front and outer portions of the building, in addition to servants’ apartments and ten sitting rooms. There were two water closets on each floor as well as a communal bathroom. Luggage was conveyed to each floor using a hoist. The first floor bedrooms and sitting rooms were furnished with mahogany, the second and third floor rooms kitted out at lesser cost.

The kitchen was built behind the front portion of the hotel and contained two stoves and two plate-heaters. The basement extended underneath the kitchen. Half of this was occupied with servants’ rooms and the remainder used as a wines and spirits cellar. A passage with iron bar gates ran through the cellar with perforated zinc windows for ventilation.

(Image: Eventbrite)

George Meyer brought with him a considerable sum of money used to furnish the Victoria Hotel.

“I learned a lesson some years ago from the Emperor of the French. It was said that when Queen Victoria visited, she found all the rooms fitted up so much like those of her own palace that she had difficulty in realising that she was not at home. I hope that this will be just the feeling which all would experience who visited the Victoria Hotel.”

He spent about £15,000 on furnishings. The dining room had chandeliers and silver gas brackets with richly decorated walls. Splendid services of pottery and glass were manufactured in Staffordshire and silver-plate supplied by James Dixon and Sons.

The Victoria Hotel opened on July 28th, 1862. At the invitation of Meyer, a number of leading gentlemen and their families were invited to visit and a sumptuous déjeuner was prepared for them.

“The whole establishment has about it an air of comfort and elegance, and we may add of cleanliness, which in the midst of our smoky atmosphere will not be maintained without considerable exertion.”

(Image: David Poole)

An official inauguration ceremony took place in September 1862 when leading gentry and manufacturers were invited to a banquet “with a profusion of the good things of this world, and adorned with silver-plated epergnes, fruit and flowers, presenting a scene of almost Eastern luxuriousness.”

Despite the misgivings about its location the Victoria Hotel was a success. It was visited by the Prince and Princess of Wales in 1875 and hereon it was called the Royal Victoria Hotel.

Shareholders got their money back with a little over 3 per cent interest and hardly a share changed hands while under ownership of the Sheffield Victoria Hotel Company.

Their 24th annual general meeting in 1889 was their last because by negotiation the hotel had practically passed into ownership of the Manchester, Sheffield, and Lincolnshire Railway.

“In the hands of the railway company the hotel will continue to be that great boom to the town which it had been from the outset.”

George Meyer had died in 1873, and his wife chose to retire.

It was the railway company’s first venture into hotel management setting a precedent for the Great Central Railway’s (as it became) later hotels at Nottingham and Marylebone.

The Royal Victoria Hotel was enlarged in 1898, later passing to London and North Eastern Railway (LNER) and on nationalisation was owned by British Transport Hotels.

When the Victoria Station closed in 1970 the hotel might have gone the same way. However, it was sold in 1972 and for a long time was called the Royal Victoria Holiday Inn.

Most of the station’s buildings were demolished by 1989 allowing a new extension to be built and connecting to the main hotel by a covered passageway much the same way as passengers used to leave the platform.

The hotel and the retaining wall and approach ramp of the old railway station were Grade II listed in 1995 and in March 2019 the hotel was rebranded as the Royal Victoria Crowne Plaza.

(Image: IHG Hotels and Resorts)

© 2020 David Poole. All Rights Reserved.

Categories
Buildings Sculpture

The William Mitchell abstract relief

(Image: Patrick Crowley)

A photograph for posterity by follower Patrick Crowley. The William Mitchell abstract reliefs are today being removed from Barker’s Pool House on Burgess Street.

Installed in May 1972 the ten panels were commissioned as part of the office and supermarket development. They were constructed in the latter period of Mitchell’s first phase of practising in Britain, following his work as design consultant with London County Council.

“A minor example from a cycle of works produced in Faircrete, a new form of concrete developed at the John Laing Research and Development headquarters.”

It has an Egyptian appearance, a characteristic of his work, first evident in an office building entrance mural for London’s Barbican, in the early sixties.

William Mitchell (born 1925) subsequently left Britain, returning in the 1990s to work with Mohammed Al Fayed of Harrods.

Ironically, he died in January with the fate of his Sheffield work still undecided. It will now be restored and incorporated somewhere in the Heart of the City II development.

(Image: Reddit)
Categories
Buildings People Sculpture

Victoria Station Memorial

The original memorial outside Victoria Station. (Image: Picture Sheffield)

In our investigations into the Victoria Station one structure appeared on old photographs that deserved further investigation.

This was an elegant memorial that stood at the entrance of the railway station. The classical portico, with colonnade, contained nine columns with the names of workers of the Great Central Railway who died in World War One.

The names of 1,304 men were inscribed on tablets of French marble, and the memorial was unveiled by Earl Haig on Wednesday 9th August 1922. He had commanded the British Expeditionary Force on the Western Front from late 1915 until the end of the war.

Sheffield had been chosen for the memorial because it was the centre of the railway’s operations. About 8,000 people turned up for the ceremony, including hundreds of relatives of the fallen.

Haig inspected a guard of honour composed of over 200 ex-servicemen employees who had gained decorations for gallantry in the field.

“The day will come when we in our turn will have passed on, but these stones will still stand as evidence of the splendid sacrifice and glorious achievement of the 1,300 brave and gallant men whose names they bear.”

The ceremony was presided by Lord Faringdon, chairman of the Great Central Railway, who said the memorial had been subscribed by no fewer than 3,000 shareholders and servants of the company as far afield as Canada, India, Australia, and Africa. He pointed out that over 10,000 employees had gone to war.

Canon Houghton dedicated the memorial, after which wreaths of remembrance were laid, and the service closed with a rousing rendition of the National Anthem.

They would have been forgiven that the future of the memorial was secured. However, within two years the marble had crumbled, and some names were already illegible.

In 1925, the London North Eastern Railway (LNER), which had absorbed the Great Central Railway, graciously replaced the tablets with Kupron bronze plaques. The memorial stood on its own until 1938 when LNER improved the station, extending the booking hall, so that the memorial became its eastern wall. (I presume the memorial was reversed and the tablets were relocated inside).

It remained until the Victoria Station’s closure in 1970 and might have been lost with subsequent demolition.

Remains of the memorial before demolition in 1980. The plaques had been removed to the underneath of Wicker Arch. (Image: Picture Sheffield)

A handful of survivors campaigned for it to be saved and the bronze tablets were re-erected (somewhat hidden) underneath Wicker Arch, where it was rededicated in November 1971. The magnificent portico, in which they had stood, was sadly lost).

The decline of The Wicker is well publicised, and the memorial suffered from neglect and vandalism. Various locations were suggested as an alternative site, but it was the owners of the Royal Victoria Holiday Inn (the former Victoria Station railway hotel) that offered it a permanent home.

The memorial plaques underneath Wicker Arch. (Image: Picture Sheffield)

With support of the hotel, sponsors and a grant from the Heritage Lottery Fund, the Great Central Railway Society organised rescue of the plaques and relocation to its new home, almost on the site of the original memorial.

It was rededicated on Remembrance Day 2008 and remains outside the Royal Victoria Crowne Plaza. A Roll of Honour for all the men listed, collated by the Great Central Railway Society, can be found inside the hotel.

(Images: David Poole)

© 2020 David Poole. All Rights Reserved.

Categories
Buildings

Victoria Station: “Prosperity to the Manchester, Sheffield and Lincolnshire Railway, and the Grimsby Docks.”

Image: Picture Sheffield

There is a photograph from January 1970 that shows a train driver, sitting in reflective mood on a bench at Sheffield’s Victoria Station. He was waiting to take out one of the last passenger trains from Sheffield Victoria to Manchester.

Once it had departed the lights went out and darkness descended on a railway station once considered the city’s ‘pride and joy’.

An eventual victim of cuts initiated by Dr Beeching, almost nothing remains today, but if you know where to look, and use a bit of imagination, you can see where once Sheffield folk hopped on a train across the Pennines and down to London’s Marylebone and King’s Cross stations.

Image: Picture Sheffield

The Sheffield, Ashton-under-Lyne and Manchester Railway was engineered by Joseph Locke and opened in 1845, the line originally terminating at Bridgehouses Station (the site on waste land above the lower end of Derek Dooley Way).

In 1847, it merged with two other railway companies to form the Manchester, Sheffield, and Lincolnshire Railway, prompting an extension of the line and construction of a new railway station about 1km to the east.

It was developed by Sheffield-born John Fowler, engineer-in-chief, and included a 40ft-high, 750-yard long, viaduct over The Wicker (Wicker Arches) and was completed in 1847-1848. The new Victoria Station opened on September 15th, 1851.

The railway station was opened for the convenience of the Manchester, Sheffield, and Lincolnshire, the Great Northern, and the south traffic of the Midland Company. It occupied a space between Wicker Arches to the canal, crossing the river, the site of the old Blonk Dam, the cattle market, and fairground, and the back of Sheaf Works.

Image: Picture Sheffield

Built on arches by Miller, Blackie and Shortridge, it rose 40ft above the level of The Wicker, the station fronting south-west with prominent views of the Corn Exchange, the New Market Hall, and canal warehouses.

The approaches to the station and the platforms were the work of John and Amos Ridal, and the station buildings were erected by Robert Tomlinson Carlisle, the builder of Beighton Viaduct and the New Market Hall.

It was not the magnificent station envisaged by Fowler. The architects, Weightman, Hadfield and Goldie, were asked to reduce costs, probably the result of high expenditure engineering the approach to the station.

The front of the Victoria Station was destitute of ornament, being simple in architectural character. It was approached from Blonk Street by a straight incline, built upon the arches, 50ft wide, 220-yards long, and rose at a rate of 1 in 30. As the road approached the station it opened out into an extended area.

The station consisted of a centre and wings, the latter being extended with a high fence wall, with gateways for the exit of arriving passengers, and beyond these, on each side, covered by stands for horse-drawn cabs.

The length of the masonry front was 400ft, built of rock-faced Greenmoor stone, with chiselled beds and joints, and facings of ashlar stone from Wadsley.

A covered veranda, with glazed roof supported by iron brackets, extended the whole length of the centre building, to allow carriages to set people down under cover.

The entrance, or waiting hall, was 50ft by 30ft, and 25ft high, having an enclosed office for booking clerks. Tickets were issued at three windows. At the centre, first-class passengers of the Manchester, Sheffield, and Lincolnshire Railway got their tickets, and on the right-hand side, second and third class passengers got theirs. The left-hand window was for Great Northern passengers.

Image: Picture Sheffield

In the eastern wing were refreshment and waiting rooms, public conveniences, parcels office, and on the chamber floor the station master’s house. The refreshment rooms were rented by Mr Moyes, the landlord of the Great Northern Hotel at Lincoln.

In the western wing were the telegraph and station master’s office, rooms for lamps and porters, guards etc., and the engineer’s office. Above these were the boardroom and other offices.

Having passed through the booking office and reaching the platform, the passengers were greeted with ample light and a conveniently arranged station.

The platforms were covered with a light roof of iron and glass, 83ft wide and 400ft long, regarded as one of the “first fruits of the Crystal Palace.” It was the work of Fox, Henderson and Company, a ridge and furrow roof, with Paxton gutters, designed to carry away rain and condensation underneath (used for water closets and urinals), and the centre of the roof was raised to permit a line of ventilation.

The roof was not supported by pillars, but its principals were set 25ft apart, resting on the inner wall of the station buildings on one side, and a lofty wall on the other. The glass was strong crown glass, about the thickness of ordinary pottery, and extended to an area of 34,600 sq. ft.

Through the station ran four lines of rails – two for passenger trains and two for spare carriages. Two other lines were laid outside the north-eastern wall for goods traffic.

The exits were closed by sliding gates, opened only when a train arrived and thus preventing ‘idlers’ entering the platforms, which themselves were divided by iron railings through which only passengers with tickets could pass.

With the building of Victoria Station, the Bridgehouses Station was converted into a goods, cattle and minerals station that operated until the 1960s.

Victoria Station decked out for the visit of the Prince of Wales to open Firth Park in 1875. Image: Picture Sheffield

The Victoria Station opened on Monday September 15th, 1851. Although not fully completed, the station was elaborately decorated with flags, some bearing loyal inscriptions, others wishing good wishes for the prosperity of the railway and docks, while others were simple decorative banners.

The first train to leave the station was an early morning service with 500 passengers bound for Hull and Grimsby. About 9am, a pleasure train with 2000 travellers set off for Worksop, and in the early afternoon a special train left for London. Combined with local services the station was a scene of bustling activity, soon tested by the presence at the same time of two through trains and two Eckington trains sharing the same platforms.

With formalities out of the way, and the Victoria Station left to its daily business, Robert Tomlinson Carlisle, the builder responsible for the station buildings, entertained 500 of his men at the New Market Hall.

His workers were treated to a substantial dinner of beef and ham provided by Mrs Outram of the Black Swan in Snig Hill.

The ceremony was attended by John Fowler, engineer-in-chief, the man responsible for the massive project.

Robert Tomlinson Carlisle gave a toast to “The Queen, Prince Albert, Albert – Prince of Wales, and the rest of the Royal Family; Prosperity to the Manchester, Sheffield and Lincolnshire Railway, and the Grimsby Docks; Success to the Sheffield Markets, the Duke of Norfolk and the Earl of Yarborough.”

Charles Anderson Worsley Anderson-Pelham, 2nd Earl of Yarborough, former MP, was the chairman of the Manchester, Sheffield, and Lincolnshire Railway. His Lincolnshire estate was adjacent to the line and had been responsible for the development of the track through the county, especially its extension to Grimsby Docks

The Victoria Station was a success and received a new roof spanning main line platforms in 1867. Three years later the Midland Railway opened the Midland Station and it received its first real competition. Victoria was enlarged by Logan and Hemingway in 1874 and received a new frontage in 1908.

Image: Picture Sheffield

The Great Central Railway came into being when the Manchester, Sheffield and Lincolnshire Railway changed its name in 1897, anticipating the opening in 1899 of its London Extension. Interestingly, for a short time afterwards Victoria Station was renamed Great Central Station but as was often the case, old names refused to go away, and it reverted to its original name. The Great Central Railway was later grouped into the London and North Eastern Railway.

In 1948 the railways were nationalised, and it brought wholesale change to the network, as governments committed to the elimination of steam traction in favour of diesel and electric power.

After World War Two, the Victoria track was the first main line in the UK to be electrified, reaching Victoria Station by 1954.

Image: Picture Sheffield

Over time, with the growth of the road haulage sector, passengers replaced freight (especially coal transport) as the railways’ main source of income, and Victoria’s glory period was in the 1950s.

The Manchester London Road to London Marylebone service, via Victoria Station, used the Great Central Line. Other expresses ran to King’s Cross over the East Coast main line, and The Master Cutler, The Sheffield Pullman and The South Yorkshireman all served the station.

However, by the end of the decade expresses to Marylebone had either been cut or re-routed to King’s Cross and by the mid-1960s many local and express services had been transferred to the Midland Station. It left Victoria with just one hourly Manchester service and the daily Liverpool-Harwich ‘Continental’.

Percy Williamson. The last Station Master. Image: Picture Sheffield
Image: Picture Sheffield

The Beeching Report of 1963 resulted in the closure of a third of the rail network and originally favoured closing Midland Station. However, in the ensuing years Victoria Station became the chosen casualty instead, the Hope Valley line between Sheffield Midland Station and Manchester preferred because it served more communities. There was a suggestion that the cost of upgrading Victoria’s obsolete electric line was too expensive, but there were also suggestions that politics decided its fate. After much wrangling, and a two-year enquiry, passenger services were withdrawn from Victoria Station on January 5th, 1970.

Image: Picture Sheffield

Goods traffic still ran through the station but all tracks (except one that still exists nearby) were lifted in 1983, and the station buildings demolished in 1989 to make way for extensions to the nearby Royal Victoria Hotel.

Image: Disused Stations

Perhaps we should mention HS2. The long-running saga of Britain’s next generation railway originally had plans for a station at Meadowhall, but Sheffield City Council wanted a city centre location.

For a brief time, it seemed that Victoria Station might have been resurrected but alas, once again, its old rival, the Midland Station (now Sheffield Station), became the preferred option instead.

And so, to the present. Much of the site of Victoria Station’s former  buildings and platforms is now lost under modern hotel buildings and car-parks. However, the elegant sloping approach to the Crowne Plaza Royal Victoria hotel remains much the same as it did when the station existed.

Image: Signal Boxes
Image: Nigel Thompson

© 2020 David Poole. All Rights Reserved.