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Buildings

Harris Leon Brown and the one o’clock time signal

H.L. Brown is situated in Yorkshire House at 2 Barker’s Pool. Sheffield. The time signal can be seen in the first floor central window. Image: DJP/2022

It confuses many people but is a reliable reminder to others. I’m referring to the one o’clock time signal that blasts out daily from above H.L. Brown at Barker’s Pool.

Today it’s a quirky tradition, and a reminder of a time when the concept of time was a bit fuzzier.

The origin of the time signal goes back to 1874, when in Angel Street, Harris Leon Brown fixed and maintained a ‘Greenwich time ball’ – that was placed on a flagstaff outside his premises, and which by an electric current fell at exactly 1p.m., Greenwich mean-time.

Back then, – different towns tended to keep different times, and thus Greenwich Mean Time was established.

Back in Sheffield, the 1 o’clock Time Signal became a handy way for city workers to mark the end of their lunch breaks, though its position above the watchmaker was used to ensure that his timepieces were accurate.

The equipment was admired for two years, but electric signals in the open air were affected by the weather and its failure to ‘drop’ on several occasions caused it to be removed.

In 1876, he entered into an agreement with the Government to supply him daily for three years with the correct time. A wire connected his shop in Angel Street with the Royal Observatory at Greenwich, and at one o’clock every day the ball dropped with remarkable precision as the sixtieth part of a second.

In his window, Harris Brown displayed several English keyless chronometer watches, especially adapted for pocket timekeepers. All of these were regulated by the time ball placed outside his shop door.

In 1891, a ‘Greenwich mean time flashing signal and time bell’ was installed in the window of H.L. Brown at new premises at 71 Market Place. It was a synchronised clock with flashing signal and bell, showing mean time daily at 1p.m. and was unaffected by rain or snow.

The clock was 14 inches in diameter, and on either side were two open circles, about half the size of the clock dial.

The one on the left contained a ‘flashing signal’ – a disc of metal painted red, and finely balanced on a pivot. Throughout the day this disc remained with its edge towards the front and was almost invisible. But precisely at one o’clock in the afternoon (GMT) the electric current arrived, giving the disc a quarter revolution, and causing it to reveal its full face, and fill up the open circle, remaining in that position for two seconds.

Simultaneously, the time bell fixed in the open dial to the right of the large clock was struck, so that the electric current made its arrival known both to sight and sound.

To obtain this equipment, H.L. Brown had to enter a five year agreement with the Post Office and pay a large yearly subscription. They were the only watch manufacturer to receive this direct signal. He stated that one of the reasons for installing the equipment was because he had sold many watches from the Government observatory at Kew, and which were guaranteed to keep exact time.

By visiting the Market Place any day at one o’clock, he said that users could ascertain if their watch was ‘on time’ as accurately as by a visit to London.

H.L. Brown later moved to 65 Market Place, and along with it went his equipment. It was bombed in 1940 and the shop moved to 70 Fargate at the corner with Leopold Street.

The time signal was subsequently replaced with a siren, and this was relocated to its current position at Barker’s Pool when H.L. Brown’s Fargate shop was demolished in 1986 for the construction of Orchard Square.

Above the entrance, there’s a small black and white sign proclaiming “1 o’clock time signal” and alongside it, the siren that you hear each and every day. Image: Sheffield Star

©2022 David Poole. All Rights Reserved.

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Companies People

Harris Leon Brown – a Polish refugee who made Sheffield his home

Harris Leon Brown came to England from Poland with an introduction to Alfred Beckett & Sons. He started by travelling around as a watch maker. Image: H.L. Brown

This is a story of an Eastern European fleeing from Russia, and the tale of a refugee who ended up in Sheffield.

Harris Leon Brown, jeweller, diamond merchant, and horologist, was born in Warsaw, Poland, in 1843, the son of a Russian government contractor, Baruch Brown.

He received his education at Warsaw Seminary Schools, and became an apprentice to Moses Neufeld, one of the largest firms in Warsaw engaged in the Sheffield trades.

When only 17, he was a revolutionary in Poland, one of the many who could not tolerate the oppression which Russia sought to impose upon his country. His part in the insurrection was of short duration, for he saw too many of his friends either shot by the military or hanged in the streets, so he determined to seek refuge in England. This was no easy task, for in those days the passage of Poles through Germany was fraught with the danger of being caught by the Germans with the inevitably painful process of being pushed back to Poland.

But sleeping during the day and the friendly conveyance of market carts during the night enabled him to make progress to Hamburg, then a ‘free’ port, where he took a boat to Hull.

Harris Leon Brown (1843-1917), diamond merchant, jeweller and horologist of Poland and Sheffield. Image: Picture Sheffield

Sheffield was his destination, and with no money to his name, and a ‘stranger in a strange city’ he was introduced to Alfred Beckett and Sons (with whom Moses Neufeld did extensive business) and Burys Ltd. These firms, especially the former, treated him in a paternal manner, and through their guidance he remained in Sheffield.

With his instinct for trading, and by strictly honourable dealing, he founded a lucrative business in 1861 as a watchmaker; he began trading from 29 Gower Street in 1867; by 1876 H.L. Brown was situated at 24 Angel Street and in 1877 connected directly to Greenwich, with the introduction of the 1.00pm clock time signal.

H.L. Brown, 71 Market Place, Sheffield. Image: H.L. Brown

Around 1888, the firm moved to 71 Market Place (where the earliest known image of the premises exists).

In 1896 the firm moved again to 65 Market Place and by 1906 he had opened a branch on Regent Street.

In 1896, H.L. Brown moved to 65 Market Place, Sheffield. Image: H.L. Brown
In the 1930s, H.L. Brown was modernised. Image: H.L. Brown
While searching for photographs of London’s Regent Street, this image from 1910 appeared and shows H.L. Brown at 90 and 90A. Image: Getty Images

Harris Brown married a Sheffield woman, Ann Kirby (daughter of Charles Kirby, Cutler) at St Mary’s Church, Bramall Lane, in 1865. Instead of giving a dinner for his golden wedding anniversary, he sent a cheque for £100 to the Lord Mayor to distribute among various war charities.

During his early years in Sheffield, unable to speak English, he saw a review of troops at Wardsend, and feeling grateful to his new homeland, joined the Hallamshire Rifles, and took pride in doing ambulance work with the local corps. It was characteristic of him that he presented to the St John Ambulance Association a silver shield for competition.

He became the oldest member of Sheffield’s Jewish community, and for many years was Chairman of the Sheffield Jewish Board of Guardians and served as President of the Sheffield Hebrew congregation. He was a prime mover in building a Synagogue in North Church Street, as well as a new place of worship at Lee Croft. He also helped secure a Hebrew burial ground at Ecclesfield. In 1910, he was elected a member of the Jewish Board of Deputies, the first occasion on which a Sheffield Jew had been so honoured.

H.L. Brown and Son had contracts with the Government’s Admiralty and India offices  for their watches, and had obtained, for excellence in workmanship, several Kew (Class A) certificates. In their goldsmith’s workshops they manufactured the jewelled key which was presented to King Edward when he opened the University of Sheffield in 1905.

The jewelled key presented to King Edward VII at the opening of the University of Sheffield. Image: Picture Sheffield
Newspaper advertisement from 1907. Image: British Newspaper Archive

In 1914, he was on holiday with his wife in Germany when war was declared. After eight nerve-racking days, they made their way home, avoiding the gauntlet of military patrols, before escaping back to England.

When in Sheffield, he resided at Kenyon House, 10 Brincliffe Crescent. He died, aged 74, following a seizure at his London residence, 23 Briardale Gardens, West Hampstead, in 1917.  He was survived by his wife, three sons, and four daughters. One of his sons, Bernard Brown, succeeded him in the business.

At the time of his death, it was said that “he took pride in recognising all the obligations which the adoption of English nationality should entail.”

His interment was at the Jewish Cemetery, Edmonton, London. He had great aversion to any kind of display, and by his own expressed wish, the funeral ceremony was simple. No flowers were sent, the coffin was covered in plain black, and the obsequies were conducted with the strictly simple solemnities of the Jewish ritual. In accordance with the custom of that ritual, no ladies were present.

He left property of the value of £29,785 and gave £100 each to the Jewish congregation in North Church Street, the Central Synagogue, and the Talmud Terah School, as well as donations to the Sheffield Royal Infirmary, Sheffield Royal Hospital, Jessop Hospital for Women, and the Sheffield Hospital for Sick Children.

In the 1920s and 1930s, H.L. Brown opened branches in Doncaster and Derby, with Bell brothers of Doncaster joining the family business.

In 1940, the Sheffield shop was destroyed in the Blitz and business moved to 70 Fargate. Image: H.L. Brown

During the Sheffield Blitz (1940) H.L. Brown’s was bombed and business moved to 70 Fargate, at the corner with Leopold Street. The firm moved to its current location of 2 Barker’s Pool when Orchard Square was built in 1986. To this day, the 1,00pm time signal still sounds daily.

Town Hall Square in 1967 looking towards Fargate and Leopold Street, Goodwin Fountain, foreground, and No 70, H.L. Brown and Son Ltd. Image: Picture Sheffield

James Frampton (Harris Brown’s great great grandson) joined the business in 1989 after qualifying as a gemologist and training in the jewellery trade in Switzerland and London. He became MD from 2001 onwards.

In 2020, the store was modernised, and a Rolex showroom introduced.

Today,  H.L. Brown operates in Sheffield and Doncaster (still using the Bell Brothers name), as well as Barbara Cattle (York), James Usher (Lincoln) and Bright and Sons (Scarborough).

H.L. Brown at 2 Barker’s Pool, Sheffield, in 2022. Image: DJP/2022

©2022 David Poole. All Rights Reserved.

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Buildings

Tesco Express to open on Fargate

42-46 Fargate. The site of a new Tesco Express. Image: DJP/2022

We recently looked at 42-46 Fargate, an existing retail unit that was formerly used by New Look. The building has been demolished and redeveloped multiple times, with the present, existing building having been constructed in the 1990s.

This was once the site of the Green Dragon Hotel, built in 1884, with R. H. Ramsden shoe and hat shop occupying the ground floor retail unit. In 1922, it was adapted to become Winchester House, the former hotel rooms becoming offices and studios. During the 1950s and 1960s, Winchester House became offices for the Provincial Insurance Company. In the 1970s, the building was demolished and replaced with a standard 1970s design.

The demise of Fargate and its pending renaissance is well documented, but here comes news that Tesco Express is to occupy the building.

The retail giant has applied for planning permission for the installation of a new realigned shopfront and new aluminium automatic telescopic sliding door, as well as new signage and rooftop plant machinery.

Tesco Express shops are convenience stores averaging 200 square metres (2,200 sq ft), stocking mainly food with an emphasis on higher-margin products, and the necessity to maximise revenue per square foot, alongside everyday essentials. They are in busy city-centre districts, small shopping precincts in residential areas, small towns and villages, and on Esso petrol station forecourts.

A typical Tesco Express store at the Mailbox, Birmingham.

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Buildings

“The mansion stood in a rural situation within sight of Sheffield, surrounded by farmland.”

It is one of Sheffield’s forgotten big houses, but the future of Mount Pleasant on Sharrow Lane looks much brighter.

Hermes Care, supported by Axis Architecture, has submitted a full planning and listed building application to Sheffield City Council for the conversion of the grade II* listed Mount Pleasant building, together with the partial demolition and retention of the former Highfield School building and new build extensions.

Planning permission is sought for the redevelopment of the site to create a care village offering supported living, assisted living and 24-hour specialist care.

The Mount Pleasant Building would be converted into one-, two- and three-bed residential care spaces, and a new-build 39-bedroom care home would be built on the playground area of the former Highfield School building.

The ground floor of Highfield School would be converted to create communal spaces for the new care home with the remainder providing a communal residential care lounge and day centre. The first floor would be converted into four one-, two- and three-bed residential suites.

The plans also include the demolition of former Highfield School extensions and a three-storey new build extension to the south to create 12 one-bed residential suites.

Artist impressions of Mount Pleasant care village. Image: Axis Architecture

Mount Pleasant is an 18th Century mansion and was built for the Sitwell family by Francis Hurt Sitwell. The house was constructed in 1777 using the architect John Platt (1728– 1810) of Rotherham. When first built, the mansion stood in a rural situation within sight of the centre of Sheffield, surrounded by farmland at the top of a slight gradient overlooking the valley of the River Sheaf.

The Sitwells owned Mount Pleasant for less than 20 years as in 1794 it was sold to Samuel Broomhead Ward. By the 1850s, the family of Thomas Tillotson, a Sheffield merchant, were living at Mount Pleasant, after that the building was utilised for various purposes.

In 1868, the committee of the West Riding County Asylum at Wakefield acquired a five-year lease on Mount Pleasant and used it to alleviate overcrowding at their main hospital. As an asylum, Mount Pleasant accommodated approximately 75 residents, with eight staff, and in 1872, all residents were transferred to the newly built South Yorkshire Asylum at Wadsley.

In 1874, Mount Pleasant became the Girls’ Charity School when it was relocated from its original location in St James Row at the side of Sheffield Cathedral. In 1927, the school was renamed the Mount Pleasant School for Girls.

It was requisitioned for use by the Government during World War II and afterwards the building continued to be used by various Government departments with the Ministry of Works Engineering Department, the Ministry of Fuel and the Ministry of Transport all having office space there.

Mount Pleasant, with former Highfield School to right. Image: Google

Mount Pleasant was designated a listed building in May 1952.

By 1961 there was just the National Assistance Board and the Drivers Examiners Department using the buildings, with the latter using the old stables and coach house buildings as offices.

When the building was vacated by the government, it fell into a state of near ruin during the late 1960s and early 1970s, but was restored by the mid-1970s and converted into a Community Centre with the stables used as a Youth Club known as The Stables Connexions Centre.

Only the Stable Block currently remains in use, by Shipshape Health and Wellbeing Centre, with Mount Pleasant left vacant for several years along with the former Highfield School, which was vacated and relocated to a new school on an adjacent site in 2006.

The Stable Block does not form part of the development proposals, with Shipshape being retained as tenants for the foreseeable future.

Mount Pleasant House, Sharrow Lane (Girl’s Charity School). Established in 1786, the school relocated from St. James’ Row to Sharrow Lane in 1874. Image: Picture Sheffield

The Guardians of Mount Pleasant were granted permission to occupy the Mount Pleasant building to maintain a level of on-site security.

However, the former Highfield School building was left empty and has been badly vandalised and impacted by pigeon infestation, and drug users, although thankfully now, the building is secure and has been cleaned internally by the new owners.

The area has suffered extensively from petty crime and the misuse of drugs, with the limited security to the perimeter of the site compounding matters.

Mount Pleasant, Sharrow Lane, Sheffield, pictured in 1974. Image: Sheffield Star
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Buildings

The mystery behind the Lord’s House

45-47 Fargate, Sheffield. The site of the Lord’s House. Image: DJP/2022

The year is 1815 and a big old town house on Fargate was demolished. It was replaced by a shop and in later years the site at its corner with Norfolk Row was occupied by Robert Hanbridge and Sons, hosier, hatters, and glovers, before becoming Hepworth tailors and finally a branch of Next.

The story of 45-47 Fargate has been covered here already, and the former Next building was recently demolished to reveal its underground secrets. But if we were able to dig even deeper there may be further treasures.

After Sheffield Castle was demolished in 1646, the Manor House remained, and the agent of the Duke of Norfolk, Lord of the Manor, resided here.

In 1706, however, the Manor House was dismantled, and a year later the Lord’s House was built in Fargate, of moderate size and pretensions, for the accommodation of the steward, and the occasional visits of the Lord of the Manor.

In the middle of the eighteenth century Henry Howard, then resident agent to the Duke of Norfolk lived here, and his son, Bernard Edward, who was born in the Lord’s House in 1765 eventually succeeded to the title on the death of his cousin, and became the 12th, Duke. But the Lord’s House was mostly occupied by his agents, the last one being Vincent Eyre.

In 1791, rioters had tried to burn it down in protest at the Enclosures Acts and were only prevented by the timely arrival of the military, which had been summoned from Nottingham the day before.

Towards the end of its life, the Lord’s House became a school where Samuel Scantlebury, the brewer, was a pupil.

View of the Lord’s House, Fargate, demolished 1815. Taken from a pen drawing in the possession of Mr R. Drury (1867). Sketch made 31st October, 1867. Image: Picture Sheffield
The Lord’s House was built in 1707 for the Duke of Norfolk on his occasional visits to Sheffield. It was mostly occupied by his agents, the principal one being Vincent Eyre. It was situated in Fargate, at the corner of Norfolk Row. The house was demolished in 1814. Image: Picture Sheffield

“At the end of Norfolk Row was the building called the old Lord’s House,” said George Leighton in 1876. “It formed the corner of Fargate and Norfolk Row and stood where there are the shops so long occupied by Mr Holden, watchmaker (now Mr Rennie’s, hosier), and the adjacent ones, as far as the Old Red House.

“There was a double flight of steps leading to a balcony on the level of the first floor. Mr Rimmer, the catholic priest, had a small room in the house, used as a chapel. The entrance was from Norfolk Row side, and there were two or three steps up to the chapel.

“About the time I am speaking of (1814-1815), the building was taken down, and the land was quite open from Fargate to the Assembly Rooms in Norfolk Street, and it continued open for years. Mr Rimmer got a chapel built upon the ground, right at the back (in 1816), and that continued to be the Roman Catholic place of worship until the present St Marie’s Church was built (1846-1850). We used to play on the ground, and ‘Old Rimmer’ did not like it, and drove us off. He was a nice old gentleman – a cheerful old chap. For a long time, the ground was unfenced, but ultimately a palisade was put up.”

The Lord’s House was sold in 1814 and dismantled in 1815, but the replacement chapel was short-lived. The palisade in the house’s former gardens was St. Marie’s Roman Catholic Church, better known today as the Cathedral Church of St Marie, Sheffield.

These days we have little visual evidence as to how the Lord’s House looked. However, within Sheffield Archives are two sketches, one of which is a pen drawing that was in the possession of Mr R. Drury in 1867.

Both are remarkably similar, but in Charles Hadfield’s ‘History of St Marie’s,’ published in 1899, he provides another sketch that was taken from a porcelain model, the property of Arnold J. Ward. This model purported to represent the old mansion in Fargate. Mrs Fisher (widow of Henry Fisher, surgeon, Eyre Street) who died in 1881, stated that her father had purchased the model at a sale.

The Lord’s House. From Charles Hadfield’s ‘History of St Marie’s’ 1889. Image: British Newspaper Archive

That the model was a correct representation of the Lord’s House was testified by several residents including Septimus Clayton, John Kirk, George Thompson, James Brown, and William Clayton, well within the recollection of these old men.

In 1931, the Sheffield Daily Telegraph queried the whereabouts of the porcelain model and discovered that it had been presented to the Duke of Norfolk by Arnold J. Ward in 1897 who received an acknowledgement.

The newspaper contacted the ducal seat at Arundel Castle in Sussex and received the following response.

“We have a model in porcelain which might be described as follows: Circular front with door in centre, two round turret towers on either side with battlements around the top of each and with a square tower in centre of model which resembles an ordinary church. There is no record stating that this is the model asked about.”

The description suggests a different property to all the sketches, but there was consensus at the time that the model was the Lord’s House.

And we should also remember George Leighton’s recollections that ‘the Lord’s House had a double flight of steps, leading to a balcony on the first floor.’ Again, this contradicts all the sketches.

Somebody has suggested to me that the sketches might show the rear of the property, and one does show a retaining wall to the left hand side that might have been alongside Norfolk Row.

For now, I have submitted a request to Arundel Castle to determine whether the porcelain model still exists, and whether they have any more information on the Lord’s House.

Catholic Chapel, Norfolk Row (Original St. Marie’s). Norfolk Row to left. Fargate in background. Image: Picture Sheffield

©2022 David Poole. All Rights Reserved.

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Buildings

Channing Hall – “The finest small auditorium in Yorkshire.”

Channing Hall, Surrey Street, Sheffield. Image: DJP/2022

It was the summer of 1881, and there were a lot of people in Sheffield town centre. They had come to watch Miss Margaret Jessop, of Endcliffe Grange, lay the foundation stone of a new Unitarian Memorial Hall on newly constructed Surrey Street.

Margaret Jessop was the fourth daughter of Thomas Jessop (1804-1887), steelmaker, Mayor, and Master Cutler, and founder of the Jessop Hospital for Women.

She deputised for her sick father and laid the corner stone with a handsome silver trowel with ivory handle, upon which was the inscription – “Presented to Miss Jessop, of Endcliffe Grange, Sheffield, on the occasion of her laying the corner stone of a Congregational Hall in connection with the Upper Chapel, June 14, 1881.”

The stone also bore an inscription, and in the cavity underneath a bottle was deposited, which contained a parchment setting forth the purposes for which the hall was erected, and the names of the minister, trustees, secretary, architects, clerk of the works, and contractors. Having laid the mortar, she gave the stone a couple of taps with the mallet and declared it well and truly laid.

The hall was completed the following year and called Channing Hall, a name we are familiar with today.  

Channing Hall sits below a row of commercial properties owned and leased by the chapel. Image: DJP/2022
Upper Chapel, Norfolk Street, Sheffield. It is connected by a corridor to Channing Hall. Image: DJP/2022

Channing Hall had been commissioned by the Trustees of the Upper Chapel on Norfolk Street and was named after William Ellery Channing (1780-1842), the father of American Unitarianism.

At the time, Rev. Eli Fay said: –

“The trustees some years ago commenced to consider their need of a hall for the promotion of the social life of the congregation, and to enable the Sunday school to realise more fully its own ideals. They did not expect from the trustees anything poor and cheap, but he did not expect that they had given them what had been declared to be the finest small auditorium in Yorkshire, and probably the finest in the north of England.”

The building of Channing Hall and the four shops underneath cost £4200, a new caretaker’s house at the rear £460, the division of the old schoolrooms into classrooms £225, and the total cost, together with the site, was about £7000.

Years earlier, the Chapel had bought property on Pepper Alley (near Norfolk Row) as well as building a Minister’s house on land behind. In the 1880s, Sheffield Corporation had sights on the land these stood on, and gave the trustees £3,870 for it, as well as two pieces of land, one of which was used to build the new hall.

After great difficulty, the Chapel also obtained permission from the Court of Chancery to borrow £714 for themselves. But the rest of the money should have come from subscriptions but raised only £1280 from some 35 or 40 persons. It left the Trustees with a deficit and took years for the debt to be cleared.

The architects were Flockton and Gibbs, the style like that of the old chapel – Italian renaissance – only of a more ornate character.

It was 60ft in length, two storeys in height, with six pilasters on each story, the lower being of an Ionic and the upper an Italian treatment of the Corinthian order, surmounted with a bold cornice and balustrade. The space between the pilasters on the lower story was filled with five arches – the entrance being in the centre arch – and those on the upper story were filled with windows, three of which were arched, and sub-divided with more arches.

The walls of the interior, including entrance and staircase passage, were built of coloured glaze brick, the pilasters being of Indian red colour, the surbase of green and brown, panels of cream colour, and borders of white and French grey.

From the impressive winding staircase hall were doors giving access to the chapel, old schools, chapel-keeper’s house, committee room, and congregational hall. The latter, which was the chief part of the building, was considered a work of beauty.

The congregational is approached by a winding staircase, at the top of which is an hexagonal stair hall, 16ft in diameter, and which is built with brick walls similar to those used in the construction of the entrance passage. Image: DJP/2022
The Victorian contractors were: – Chambers and Sons, masons and joiners; J.E. Elliott, plumber; Marshall Watson, and Moorwood, iron founders; A. Berrisford, plasterer; Staniforth and Lee, slaters; R.R. Gibbs, heating apparatus. Image: DJP/2022

The roof had partly open timbers, and the caps and bases of the pilasters were of the Italian Corinthian order. This was used as a Sunday school as well as a congregational room, and the seating accommodation was for 350 to 400 persons.

The walls were glazed bricks, with surbase of browns and greens, pilasters of Indian red and cream-coloured panels, and with white and French grey. The caps and bases of the pilasters were cement, and of the Italian Corinthian design.

Hollis Hall, at Harvard University, is thought to contain a photograph of Channing Hall. Sent by Upper Chapel in 1936. Image: DJP/2022
The roof is partly open timbered, the ceiling being of panelled Memel wood, the panels coloured in a light blue and relieved with stencilled patterns in white. Image: DJP/2022

Around the room, at right angles with the beautiful caps surmounting the pilasters, was an inscription which stated that the hall had been erected “for educational and social purposes, and for the same religious aims with which the chapel was founded in the year 1700, and on the same broad basis of a free and open trust.”

The wooden floor was 4½ inches thick, laid on concrete, with the joints filled with white lead, with a slight fall to the sides; the object of this to enable the floor to be washed with a hose pipe.

All these years later, people tend to forget that Channing Hall and the Upper Chapel are tangibly connected. Both venues can be accessed by going through the other.

Little has changed since its construction, except the addition of a lift, and Channing Hall, now Grade II listed, is mainly used as a conference and banqueting suite.

Built in 1881-1882, Channing Hall was designed by Flockton and Gibbs. Image: DJP/2022

©2022 David Poole. All Rights Reserved.

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Buildings

John Lewis becomes a listed building

The former Cole Brothers/John Lewis store. Image: DJP/2022

Interest in the former Cole Brothers/John Lewis store in Barker’s Pool exceeded expectations, wrote David Walsh at the Sheffield Star.

There had been ‘fifteen or sixteen credible and exciting bids; according to Councillor Mazher Iqbal, Co-chair of the Transport, Regeneration and Climate Policy Committee at Sheffield City Council.

Such was the interest that any decision on the building would be delayed until November while applications were vetted.

The news almost certainly saved the building, and Councillor Iqbal said he favoured retaining or part-retaining the building, although demolition had not been ruled out. He added that the carpark would come down because it was ‘not safe and posed a safety risk.’

But I wonder how many of those applicants will still be interested today.

This morning, Historic England announced that the former Cole Brothers/John Lewis store had been granted a Grade II listing, meaning that it is of ‘special interest, warranting every effort to preserve it.’

“Historic England was asked to assess the former Cole Brothers’ (John Lewis) department store for Listing,” said a spokesperson. “After careful consideration, our recommendation to The Department for Digital, Culture, Media & Sport (DCMS) was that it should be listed at Grade II.

“It is a rare example of a post-war department store – designed by a leading mid-C20 firm of architects – with clean, crisp Modernist lines and a sophisticated layout for shoppers. It stood out from the crowd and contributed to the city of Sheffield’s vision for a vibrant new environment for its residents. The Department for Digital, Culture, Media & Sport agreed with our advice and has today granted the former Cole Brothers’ (John Lewis) Department Store listed status.”

Hallamshire Historic Buildings and the Twentieth Century Society had applied for the designation that also included the carpark.

As far as the C20 Society is concerned, it marks the culmination of a 20 year battle to get it listed.

The building was accepted by Historic England as ‘a good example of early Sixties architecture by an important firm of architects’ but initially turned down for listing in December 2001.

Although further acknowledging the store as an ‘important post-war building’, a Certificate of Immunity from listing (COI) was issued in September 2002, but this lapsed in 2007.

Upon consultation for its renewal in May 2022, C20 Society strongly objected and called for the building to be listed at Grade II. 

The change heralds a long-called for thematic investigation by Historic England into the department store as a unique building type, testament to C20’s ongoing Department Stores Campaign and the efforts of other heritage organisations in helping raise awareness of so many underappreciated examples. With the nature of retail and the character of our high streets changing so profoundly in the past two decades, the plight of former department stores has recently become a topic of national conversation.

Designed by prominent post-war modernists, Yorke, Rosenberg & Mardall (YRM) – also behind other big commissions like St Thomas’s Hospital in London, Gatwick Airport and Manchester Magistrates Court – the store was built in 1963.

As for the building’s future, it means that any decision must now be taken between Sheffield City Council, Historic England, and all other stakeholders, including the C20 Society, in helping to define potential use.

This might prove a stumbling block for some of the ’15 or 16’ applicants but will not deter serious bidders (look at Park Hill as an example).

Demolition isn’t ruled out, but it would be a long process, the final decision resting with the DCMS. But it has happened before. In 2013, after a long campaign to save it, the Grade II listed Jessops Edwardian building was flattened to make way for the University of Sheffield’s futuristic Diamond block.

Cole Brothers new store building in 1963. Image: RIBA Pix
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Buildings

Replacement chimneys arrive at Pepper Pot building

A chimney stack is lowered into place. Image: Sheffield Star

The Sheffield Star has posted several photographs of ‘fake’ chimneys that are being installed on the Pepper Pot building.

Six historic chimneys were removed as part of Heart of the City reconstruction, with only the façade remaining.

The Pepper Pot building is in Block C, bound by Pinstone Street, Cambridge Street and Charles Street.

Developers had asked for permission to change its original plans, by reducing the number of chimneys – designed by architects Flockton and Gibbs – and replicating only one.

Sheffield City Council’s planning committee overwhelmingly rejected the bid against the advice of officers who warned that refusal would put economic, social and environmental benefits of the scheme on hold and may lead to other cost cutting.

The replacement chimneys are two-tonne, 10ft ‘brick’ stacks, and thought to be made from glass reinforced concrete.

The pre-formed feature was seen on a lorry on PInstone Street ahead of being winched to the top of the Pepper Pot building. Image: Sheffield Star
A replacement a two-tonne, 10ft brick stack. A total of six were removed as part of a total revamp of the building. Image: Sheffield Star
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Buildings

Welcome to the Tanya Moiseiwitsch Playhouse

The Crucible Studio theatre is no more. Sheffield Theatres have announced that its small space is being renamed as the Tanya Moiseiwitsch Playhouse in honour of the theatre designer who played an important part in the creation of the theatre complex.

“Tanya Moiseiwitsch was a pioneer. Innovative, imaginative and a ground breaker in her profession,” says Artistic Director Rob Hastie. “Tanya created radical theatre shapes now enshrined and cherished in theatre buildings all over the world. Without her vision, neither the Crucible nor the newly named Playhouse would exist in the forms they do. Hers is an incredible legacy.”

The new name also honours the original Sheffield Playhouse, that closed its doors in 1971 when the company moved to the new Crucible Theatre. “The Playhouse had a reputation for bold, adventurous, and revolutionary productions, under the leadership of inaugural Crucible Artistic Director, Colin George,” says Rob Hastie.

Over the 50-year history of the space, audiences have seen performances from hundreds of actors, from professional debuts to famous faces including Victoria Wood, Alan Rickman, Tracey Bennett, Shaun Parkes, Niamh Cusack, Richard Wilson, Stephanie Street, James Norton, Chetna Pandya and Rose Leslie.

The 400-seat Studio theatre (for drama and music). Image: BFF Architects
Tanya Moiseiwitsch by Francis Goodman. 1947. Image: NPG

Tanya Moiseiwitsch (1914-2003) was regarded as one of the foremost designers in twentieth-century theatre, an innovative designer of costumes, sets, and stages, responsible for over two hundred productions in England, Canada, and the United States. 

She enjoyed long collaborations with director Tyrone Guthrie, beginning in 1945 at London’s Old Vic. When Guthrie was invited to Canada to establish the Shakespeare Festival Theatre in Stratford, Ontario, he asked Moiseiwitsch to join him. The stage conceived by Guthrie and Moiseiwitsch was made of wood, thrusting out into the audience, and fostering a sense of intimacy between actors and audience.

In Minneapolis, where she was the principal designer at the Guthrie Theater from 1963–1966, she again designed a thrusting stage like the one she had designed in Stratford. 

Returning to England in the 1970s, she designed plays both for the National Theatre and the West End, as well as designing the stage for the Crucible Theatre. 

“The shape of the Crucible’s thrust stage was Tanya’s creation, and the studio is a smaller version of that unique performing space,” says Lucy George, daughter of the Crucible’s inaugural Artistic Director, Colin George,

“Tanya was a beloved member of the company and an inspiration for so many designers and women in the performing arts. The Sheffield Playhouse, the predecessor of the Crucible, is still remembered fondly by so many of us. The naming of the Tanya Moiseiwitsch Playhouse clarifies the connection between the Playhouse and the Crucible and ties together 100 years of Sheffield theatre history, recognising Tanya’s long-lasting impact on theatre design. Naming a theatre after Tanya would have pleased Dad enormously.”

Tanya Moiseiwitsch and Colin George. Image: George Family Archive
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Buildings

Bethel Chapel – Operator sought for live entertainment venue

An operator is being sought for a new live entertainment venue as part of Sheffield’s Heart of the City scheme.

Sheffield City Council and its strategic development partner Queensberry are inviting interest from potential operators for Bethel Chapel.

Located on Cambridge Street, the Bethel Chapel building, which dates back to the 1830s, is currently being refurbished and will become the latest addition to the strong tradition of live music and performance spaces in Sheffield when it opens next year.

The venue represents a key component in Heart of the City’s ‘cultural and social’ focal point in the area, and is set to complement the Cambridge Street Collective food hall development, and the independent retail, studio and maker spaces in Leah’s Yard, which will also both open next in 2023.

The successful operator of Bethel Chapel will be responsible for curating all events and social activities – expected to be live music, comedy and other live arts.

Alongside the live entertainment space on the ground floor, there will be a bar and café area on the first floor and the top floor will also have an external roof terrace and balcony. A new outside space at the rear will have seating areas for Bethel Chapel and the adjoining Cambridge Street Collective.

The foundation stone for Bethel Chapel was laid in July 1835 and opened for services in June 1836. The Primitive Methodist Bethel Chapel existed for just over a century and its final service was on Sunday 20th September 1936.

It was briefly empty before George Binns, an outfitter at Moorhead, bought the old chapel to relocate its business. The small churchyard at the front was swept away, including iron railings and stone pillars, and probably a few gravestones. In 1938 a two-storey extension was added to the front of the chapel, with stone initials on its parapet showing ‘GB’ and the date ‘1868’, the year the business was founded.

By the 1960s the shop had transferred to Lawsons Outfitters and in 1977 it was acquired by Cole Brothers (later John Lewis) to alleviate pressure on its store across the road.

Bethel Chapel. The original chapel can be seen behind the 1930s extension. Image: Picture Sheffield