We’ve waited long enough to hear good news about Castlegate, and more importantly the site of old Sheffield Castle.
Sheffield has been successful in its bid to secure £20m of funding for Castlegate through the Government Levelling Up fund.
£15m of this will go towards further archaeological investigation and interpretation of the historic Castle remains for the public to view, quality open space, de-culverting of the River Sheaf and route-ways through the site. Targeted plots on the outer edges of the site will be made ‘developer ready’.
The remaining funding will go towards two other projects – Park Hill Art Space and Harmony Works.
Park Hill Art Space will deliver an arts, cultural and heritage destination at the Park Hill estate and it will aim to be one of the largest contemporary art galleries in the North, complemented by creative workspace and learning facilities, within a six-acre sculpture park.
Harmony Works is a partnership between Sheffield Music Academy and Sheffield Music Hub to create a new fit-for-purpose music academy by refurbishing Grade II listed Canada House on Commercial Street.
The Heart of the City II programme moves forward, and this artist impression shows Pound’s Park, a new public space that will be created on the site of the demolished Wellington Street fire station.
It will be on the western side of the Heart of the City masterplan, located between Rockingham Street, Wellington Street and Carver Street, and will create another green space in the city centre, as well as creating children’s’ play areas, water features, and a new bus interchange.
The Park will also provide an accessible new home for the William Mitchell frieze, which was removed from Barker’s Pool House a few months ago in preparation for the construction of the new Radisson Blu hotel on Pinstone Street.
A lot has been written about Pound’s Park, but I’d like to focus on the man it is named after.
John Charles Pound (1834 -1918) was the city’s first Fire Superintendent, and responsible for laying the foundations of our modern fire service.
He was born at Sittingbourne in Kent and served for eight years in the Navy and Mercantile Marine Service, and as a man-of-war took part in operations in the Crimea.
Leaving the sea, he joined the Metropolitan Fire Brigade in its earliest days. He was engaged at the memorable Tooley Street fire in 1861, where his chief, Captain Braidwood, was killed by a falling wall just minutes after Pound had been talking to him. (It was referred to as ‘the greatest fire since the Great Fire of London,’ and occurred at Cotton Wharf where many warehouses were situated. It attracted a crowd of more than 30,000 spectators).
“This was in the early days of fire brigade work, and long before the extinguishing of fires had been the object of practical and scientific studies. The Metropolitan firemen learnt engineering by travelling on locomotives and receiving instruction from engine drivers. The scheme had been adopted by Captain Braidwood, and John Pound was one of those who familiarised himself in engineering. When proficient he was appointed to a responsible position on one of the brigade’s river floats.”
He applied for a position at Nottingham and was appointed as engineer of the first steam fire engine, staying two years before coming to Sheffield in 1869 to form the Corporation’s first fire brigade. The decision of the Corporation to take over and run the Fire Brigade was brought to a head by a series of large fires between 1865 and 1869.
Pound established the fire brigade over 26 years, with trained firemen, and the introduction of the best firefighting appliances. His biggest fires included Portland Street Confectionery Works (George Bassett and Co) and at G. H. Hovey and Sons (drapers and house furnishers) in Angel Street in the winter of 1893 in which six large shops were destroyed.
Superintendent Pound was injured at the Park Club fire, on Bernard Street, in February 1895 when he fell against a kerbstone whilst handling a jet. His injuries were at first thought to be bruising of the ribs, but later he suffered difficulty in breathing. He retired from the Fire Brigade shortly afterwards.
“He may now begin to feel the need of rest and relief from being in a state of incessant preparedness, and the Micawbian attitude of ‘waiting for something to turn up,’ and the good wishes of the citizens will follow him in retirement.”
John Charles Pound died from influenza at his home on Tullibardine Road in 1918. His coffin was shrouded in the Union Jack and conveyed on a horse-drawn fire brigade tender, with Indian Mutiny veterans, firemen and police taking part in the cortege. He was buried at Sheffield General Cemetery.
A fitting tribute that Sheffield’s first fire officer should be honoured with a park, and on the site of a former fire station.
One day, in 1926, a lady walked through newly opened Graves Park and came upon an old quarry within Cobnar Wood. Well-known in musical circles, she was well-versed with acoustics and approached Sheffield Corporation with an idea.
This had once been Norton Rifle Range and formed part of land gifted by J.G. Graves to the city. In February 1927, undergrowth was cleared, and the ground levelled, in preparation for an open-air theatre.
“Around the natural cavity, at one side of which there is a wall of stone – part of the original quarry – the ground rises steeply and is covered with trees and bushes. On the left stands part of the Cobnar Wood, and it does not need much imagination to visualise the beauty of the scene on a fine summer evening. On the side of the hill accommodation will also be made for thousands of people to stand or sit.
“The theatre will not be confined to one class of entertainment. There could be music of all kinds – orchestral music, chamber music, bands, Pierrots, and others, chosen by the Parks Committee.”
A platform was erected under the quarry wall with seating arranged facing the stage.
The open-air theatre opened on June 16th, 1927, when a crowd of 3,000 people attended a concert in the presence of the Lord Mayor, who happened to be J.G. Graves.
“The beautiful natural amphitheatre became a vast arena of song when the first municipal open-air community singing concert was held. The basin, with its grassy slopes and fringe of trees, is admirably suited for events of this kind. The singing was led by the Sheffield Orpheus Male Voice Choir, conducted by Mr T. Ratcliffe, and although the audience was a little shy at first, they soon joined in the choruses lustily, and sang with real heartiness songs like Love’s Old Sweet Song, On Ilkla Moor Baht At and Pack Up Your Troubles. Four hundred chairs were occupied, and a good crowd behind the ropes.”
The success of this first evening led to further concerts by the Melody Minstrels and Motley Entertainers, and for the next ten years the public were treated to regular summer entertainment in the old quarry.
Despite its success, Sheffield Corporation brought an end to the concerts in 1937, the victim of unforeseen circumstances.
The quarry was to be no longer used because of midges. It had attempted several solutions including spraying the quarry before each performance and at the interval when attendants walked around with spray pumps.
As a last resort an outside expert had suggested spraying the surrounding woods, quarry walls and the ground with disinfectant and insect killer.
All attempts failed and the midges affected attendances causing one council official to say, “The day would come when performers would be singing to an audience of gnats.”
Alas, the open-air theatre was abandoned, and future concerts held in the Deer Park. Today, there is little evidence of its exciting past, the area overgrown, and only the old sandstone quarry walls providing a clue of its location.
Earlier this week we highlighted Dr Robert Styring’s gift to Sheffield of the Brinckcliffe Tower estate (Brincliffe Towers) in November 1925, its former grounds now known as Chelsea Park.
One of Styring’s close friends was John George Graves, head of the successful mail order firm, and generous benefactor to the city.
It is extremely likely that Graves played an important part in Styring’s decision and came just two days after it was announced that Graves had made one of his biggest ever bequests.
This story begins in 1925 when the Norton Hall estate was broken up and sold by Lieutenant-Colonel Bernard Alexander Firth. He donated Norton Hall to the Joint Hospitals Board and negotiated the sale of 112 acres of land for £25,000.
The plan was to incorporate Norton Hall into a new hospital which would amalgamate the services of the Royal, Royal Infirmary and Jessop hospitals (although the plan never materialised).
It left 154 acres of parkland still available and attracted the attention of speculative builders wanting to construct houses in a respectable part of the city. Sheffield Corporation recognised that the land might make a suitable park but was prevented from entering negotiations because it did not have sufficient funds.
However, the council need not have worried because, in October 1925, J.G. Graves presented a letter to Sheffield Corporation revealing that he had purchased the land and was gifting it to the city.
“In making the purchase I have had in mind, among other considerations, that it will be very advantageous to have a large area of land between the hospitals and the city kept open and free from buildings, thereby ensuring for the hospitals, as far as possible, in the vicinity of a great city, an atmosphere free from dust and smoke pollution.
“The estate which now belongs to me is varied in character and covers an area of 154 acres. It includes a great deal of beautiful parkland, well-wooded valleys in their natural state, and a lake suitable for boating which is, I believe, larger than any piece of water within the city to which the public have access.
“There are fifty or sixty acres of land, well suited for organised games and a picturesque summer residence which I think would make an attractive tea house with garden and lawn accommodation.”
The council accepted his generous offer and passed a resolution to call it Graves Park.
Joining up with the hospital estate beyond Norton Church, the park was enclosed by a boundary wall which ran along Hemsworth Road and Cobnar Road. This continued along Cobnar Wood, on the west, via Meadowhead, and Chesterfield Road as far as the lodge leading up to the hospital site.
The greater part of the land was level and required little alteration in laying it out as football, cricket, and other sports grounds. On one part of the estate there was ample room for at least 20 football fields, welcome news to many amateur clubs in Sheffield who had been handicapped by the scarcity of suitable and convenient playing fields.
The estate included Bolehill Farm, North Croft, and three charming coppices known as Cobnar Wood, Waterfall Wood, and Summerhouse Wood. The southern portion of the park was separated from the hospital grounds by three small lakes, well stocked with fish, and quite large enough for boating, the largest of which already had a boathouse.
In the early part of 1926, about sixty men provided by the Guardians from the unemployed were engaged to lay out walks across the lawns and woodland.
The main entrance to the park was now on Cobnar Road, from which point a wide drive leading through the Deer Park, to the lakes, was built. Paths were made on either side of a ravine, uniting shortly before they reached a drive leading up from Meadowhead to Norton Hall.
The land nearest Cobnar Road was mown and rolled, and one of the prettiest areas was at the top end of the lawn, just over the wall from Bunting Nook, under the shade of beeches and sycamores, alternating with copper beeches. A long winding path was built here offering views towards the Derbyshire countryside and lofty moors, while walks around the largest of the lakes, adorned with rhododendrons, were widened.
Graves Park was opened to the public during the spring, but the official opening was on June 3rd, 1926.
Summer weather favoured the day, the sun shone, and the woods and grasses had been freshened after recent rains.
The Band of the Queen’s Own Yorkshire Dragoons played during the afternoon and evening, and a crowd of at least 15,000 attended the opening by the Lord Mayor, Alderman Joseph Benson, in the vicinity of the summerhouse.
It was left to J.G. Graves to make a philosophical speech: –
“Our parks and moorlands in no small measure help us to realise that ideal in our own city. Nature has been very generous and kind to Sheffield, for there are few cities in the world which are so favoured as we are in our surroundings. We hear a lot about what we have not got and what we ought to have, but sometimes I think we hear far too little of what we really do enjoy. It would not be at all a bad thing if we could occasionally have a municipal thanksgiving day, when we might count our blessings and realise, or try to realise, something of the value of the heritage of which we are all partakers.
“Both nationally and municipally we enjoy a great inheritance, and we owe much to those who have gone before us, and who have enriched the city, not merely by benefactions, but by voluntary service, seen and unseen, which in the aggregate had made for safety, sanitation, and a general high level of comfort and happiness.”
The day ended with the singing of the National Anthem and for the last 94 years Graves Park has remained a Sheffield institution, cherished for generations, enjoyed by young and old, and quite possibly reaching its zenith as a place of sanctuary during the COVID-19 pandemic.
And finally, a letter from August 1931 that appeared in the Sheffield Independent:
“Sir – I wonder how many of the numerous visitors to Graves Park on Monday evening about 6 o’clock recognised the donor strolling through this lovely picture of woodland beauty. It must have gladdened Mr Graves heart to see the many elderly people resting in the shade, as well as the hundreds of young folk enjoying themselves, all possible through his wonderful appreciation of others and the benefit that such places can confer on the individual.”
It’s a Sheffield park that we take for granted, but the story behind the Botanical Gardens is not as straightforward as we might believe. The next time you visit, spare a thought for our ancestors who probably didn’t have the opportunity.
It is Sheffield’s oldest park, with origins going back to 1833 when Thomas Dunn, the Master Cutler, called a public meeting following a petition signed by 85 local residents concerned about the lack of public open spaces and facilities to promote both healthy recreation and self-education in Sheffield. It was resolved, at the meeting, to develop a Botanical Garden.
By 1834 the Society had raised £7,500 through shares, and, having taken practical advice from Joseph Paxton of Chatsworth and Joseph Harrison of Wortley Hall, they purchased 18 acres of south facing farmland at Clark House from Joseph Wilson, head of the family of snuff makers.
“The roads to it were good, the land itself lay very well to the south, it was well sheltered and very fertile.”
The laying out of the grounds was determined through a competition, the winner chosen from a panel of judges made up of experienced gardeners – Joseph Paxton (Chatsworth), Joseph Cooper (Wentworth), Joseph Walker (Banner Cross) and John Wilson (Worksop Manor).
A design submitted by Robert Marnock, former Head Gardener at Bretton Hall, was chosen for the new Botanical Gardens – . “He laid out the Gardens in the then highly fashionable Gardenesque style, the main characteristic being that all the trees, shrubs and plants were positioned in such a way that each plant can be displayed to its full potential in scattered planting. The approach involved the creation of small-scale landscapes, winding paths, expanses of grass and tree-planted mounds.”
The runner-up in the competition, Benjamin Broomhead Taylor, was appointed as the architect for the buildings. The pavilions became known as Paxton’s Pavilions, hinting that these were designed by Joseph Paxton, but it is more likely that he merely offered advice in their design.
The Botanical Gardens were finally opened on the 29th July 1836, under the patronage of the Duke of Norfolk, Duke of Devonshire, Earl Fitzwilliam, Lord Wharncliffe, the Earl of Surrey and John Stuart Wortley.
“Two excellent bands of music were stationed in the grounds, and refreshments of various kinds offered. The buildings, consisting of a lodge or grand entrance, on the left of which are the conservatories, and the residence of Robert Marnock, the Curator, are erected in a very tasteful style of architecture, which reflects the skill of Mr Benjamin Broomhead Taylor.
“The walks assume all the intricacy and mystery of a labyrinth maze, while the monkey cages, the bear’s den, the eagles’ habitation, water-works etc., give a variety to the whole.
“The gardens command a view of many miles of rural scenery, with the grand imposing appearance of the New Cemetery (General Cemetery) in front, seeming, as it were, to form a portion of the grounds.”
A few things to note here. One, is that the Botanical Gardens were built in what was then open countryside. Second, the Gardens were only open to the general public on about four gala days each year; otherwise admission was limited to shareholders and annual subscribers.
In 1839, The Gardeners’ Magazine reported that the attempt to combine a zoological garden had not succeeded. “In fact, the filth, stench, roaring, howling, and other annoyances incident to carnivorous animals, are altogether inconsistent with the repose which is essentially a botanic garden.”
Robert Marnock left the Botanical Gardens in 1840 and moved to Hackney in London. Soon afterwards, the Council of the Royal Botanic Society appointed him Curator and to lay out the grounds in Regent’s Park.
In 1844, financial problems led to the failure of the first society, but the Gardens were rescued with the formation of a second society (also known as the Sheffield Botanical and Horticultural Society) which purchased the land from the former society for £9,000. The conservatories were extended, a tea pavilion and the present Curator’s House were constructed within the succeeding decade. A period of steady development and growing international renown followed for the next 30 years.
In 1897, falling income, competition from the new free city parks and residential development in the area meant that the Gardens were in danger again. It was decided that the proprietors could not make them pay and were disinclined to maintain them. It was suggested that several of the shareholders would give their shares, and others would sell theirs, for £5 each, if the Sheffield Town Trust (dating back to 1297) would purchase the Gardens and maintain them for the benefit of the people of Sheffield.
In 1898 the Sheffield Town Trust paid £5,445 for the value of the shares, becoming owners and managers of the Gardens for the first half of the 20th Century. The Gardens were reopened without fuss on Thursday 20th August 1899, and it was then that free admission was introduced and continues today. Demolition of unsafe buildings was necessary and only the conservatory domes were repaired. The Gardens thrived until World War II, when extensive damage left the Sheffield Town Trust unable to afford the repairs and restoration required.
In 1951, a Special Committee decided that they could lease the Botanical Gardens at a nominal rent; the maintenance of the Gardens as a Botanic Garden; that no organised games or sports other than a children’s corner be permitted; that the staff of the Gardens be taken over by Sheffield Corporation.
Sheffield Corporation accepted the offer and the management of the Gardens passed to them on a 99-year lease for a peppercorn rent of one shilling per year raised to 5p a quarter in 1971. The Town Trust remains the owners of the Gardens.
With the aid of a grant from the War Damage Commission, the Council was able to instigate repairs to the domes, creating an Aviary and an Aquarium, and restoring Sheffield Botanical Gardens to their former glory. However, a downturn in the economy during the 1980s meant a severe reduction in funding and once again the Gardens were on their way to dereliction.
In 1984, the Friends of the Botanical Gardens, Sheffield (FOBS) was established as a group providing education for the public and supporting the Gardens. Practical volunteer work to help staff maintain the Gardens started in 1993.
The Friends managed to arrest the decline in many parts of the Gardens but not the listed structures, even the Paxton’s pavilions were derelict and in danger of collapse.
In 1996 the Friends set up the Sheffield Botanical Gardens Trust with the aim of applying for grants to restore the Gardens.
The Heritage Lottery Fund announced its Urban Parks Programme in January 1996. Soon afterwards, an organisation known as the Sheffield Botanical Gardens Partnership was formed to produce a bid for the Gardens. Its membership was Sheffield Botanical Gardens Trust, Friends of the Botanical Gardens, Sheffield Town Trust, the City Council and the Landscape Department of Sheffield University.
The Gardens were awarded a grand of £5.06 million, which was to be matched by £1.22 million in funds and £0.41 million in work in kind.
The project was designed to restore the Gardens, all the buildings and features to their 19th century condition whilst adapting to modern requirements. This included the full reinstatement of the Paxton’s pavilions to become a splendid home for frost sensitive plants from around the world.
The restored Gardens were officially opened in June 2007 at a cost of approximately £6.69 million.
(Information for this post was provided by Sheffield Botanical Gardens, Sheffield Town Trust and ‘Sheffield Botanical Gardens – People, Plants and Pavilions’ by R. Alison Hunter).