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Steelopolis

A week in Steelopolis

Former Endcliffe Sunday School, Ecclesall Road, Sheffield. Image/Axis Architecture

Food court proposal for old Sunday School

Last year, we looked at proposals to convert the former Endcliffe Sunday School, next to the old Endcliffe Methodist Church, on Ecclesall Road, into apartments and townhouses. Over a year later, the plans have been changed and now designs have been submitted for the alteration, extension, and conversion of the building, to create ‘Founders & Co’ a food hall/street food restaurant, bar, and local enterprise hub, with ancillary retail and business workspace.

The Sunday School was originally built at a cost of £8,000 for the adjacent Methodist Church. It was designed by John Charles Amory Teather, who placed copies of religious and local newspapers, a circuit plan, and a programme of the day’s proceedings in a cavity, when the foundation stone was laid on 6 October 1927.

The vacant Sunday School comprises a central large classroom with a stage to the south that is lit naturally by the rear window. The front of the stage is decorated with a plaster architrave topped with a hood that includes the date ‘1928’, the date of completion.

In later years it was sold to the University of Sheffield and, in 1985, became the Traditional Heritage Museum. The museum closed in 2011 and the building was last used by the university in 2016.

‘Founders & Co’ is a concept developed by Bark Design Studios which has seen the successful rollout of the concept in Swansea and models itself on other food hall operations like Kommune, at Sheffield’s Castle House, although on a smaller scale.

Proposed Founders & Co at Endcliffe Sunday School, Ecclesall Road, Sheffield. Image/Axis Architecture

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Meadowhall receives planning permission for leisure extension

Retail as we’ve known it is disappearing, and Meadowhall can see that its future will be leisure-led. Plans for an extension to the shopping centre have been approved and will include a new indoor recreation and leisure hall, shops, food and drink units, extension to the existing cinema, police station and car showroom. The plan has been scaled down twice and includes an agreement to delay building the leisure hall until 2029, to minimise impact on Sheffield and Rotherham centres.

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Old Town Hall, Waingate, Sheffield. Image/Sheffield in Ruins/Denzil Watson/2022/Revelations 23 Press

Renewed fears for future of the Old Town Hall

This photo has been doing the rounds this week. It shows a missing floor at Sheffield’s Old Town Hall and is featured in a new book.

Sheffield In Ruins, by Denzil Watson, is a fascinating photographic record of city locations that once teemed with life, but that found themselves empty and unwanted as the city’s story moved on.

Since first exploring the dereliction of Sheffield’s East End in the late 1980s, Denzil Watson has developed a passion for secret spaces that once had a purpose – interiors that are now smashed and trashed, rusting and wrecked, but that have a desperate beauty all their own.

The photo emerges at the same time as Valerie Bayliss, chair of the Friends of the Old Town Hall, urged its owner, Gary Ata, to show he was serious about restoring the ‘great old listed building which has been neglected for too long’. Built in 1808, it has been disused for 25 years.

“In its current state it’s likely to be a drag on the city council’s plans to regenerate Castlegate; it will probably deter other potential investors; and we know its condition is getting worse. We hope the city council is monitoring the situation closely.”

According to David Walsh, writing for the Sheffield Star, “Mr Ata snapped up the site on Waingate for £600,000. He registered a company called The Courthouse Apartments (Sheffield) Ltd and took out two loans which were repaid on November 28 this year. But no repair or restoration work appear to have taken place.”

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Site of new Manhatta at Balm Green, Sheffield. Imagee/Ashleigh Signs

A lively addition to Balm Green

Into the city centre, and a lively addition to the normal solitude of Balm Green, next to Sheffield City Hall.

Once upon a time, this was the site of the Grand Hotel, replaced by Fountain Precinct, a brown and neutral tiled office building, built in the 1970s. It ranges from six to nine stories in height across its various wings and is arranged around a central courtyard.

The building has recently undergone major refurbishment, with lots of glass, shared business lounge, external roof terrace, break out areas and upgraded common areas.

Early next year, the ground floor, fronting Balm Green, is to become Manhatta bar/restaurant and says it will be beneficial for both locals and visitors to the area.

The company already operates in Birmingham, Leeds, Manchester, Harrogate, and York.

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Castlegate House, Haymarket, Sheffield. Image: DNA Group

Apartment plans for Castlegate House

News of an unusual planning application for Castlegate House at 12-18 Haymarket. Built in the 1960s, the ground floor was once occupied by British Home Stores (BHS) but is now a branch of B&M Bargains.

The application is for change of use on the upper floor from retail (unused) to large ‘housing in multiple occupation’ style letting rooms. The basement will be converted into a gym for residents, while the existing ground floor shop and first floor snooker hall will remain unaffected.

The proposal is to convert the second and third floors into high quality student accommodation. New windows will be included to each room for light and fresh air, with the central part of the building removed to provide a large open space to the central area and light to the inner rooms.

Each room will have its own kitchenette, bathroom, seating and sleeping areas. There is a large communal area in the glazed atrium and a communal kitchen/ dining area on each floor.

Access to the site will be from Dixon Lane and across the walkway bridge to the covered way at Haymarket. Both entrances will have electronic key entry, CCTV cameras, and a video entry system.

It isn’t the most attractive building in the area, but the exterior will be upgraded to include new window openings, while the Haymarket front will be re clad with stylish metal sheeting.

Proposed designs for Castlegate House, Haymarket, Sheffield. Image: DNA Group

©2022 David Poole. All Rights Reserved.

Categories
Steelopolis

A week in Steelopolis

Crucible Theatre. Image: Rich Bamford

A bit of a dramarama

What do the following have in common?

The Bath and Ladle, The Bessemer, The Casting Pit, The Forge, The Hopper, The Hearth and Spoon, The Pig, The Puddle Shop, The Run-Out Table, The Ace of Hearts, The Colossus, The Dramarama, The Futurist, The Prince of Wales, The Jennie Lee, The Sheaf, The Arundel Gate, The New Elizabethan, The New Playhouse, The Stirrings, and The White Elephant.

They were all suggested names submitted by readers of the Morning Telegraph in 1969 to name Sheffield’s new theatre.

The winner was The Adelphi because the theatre stood on the site of the Adelphi Hotel, in which Yorkshire County Cricket Club, Sheffield United, and Sheffield Wednesday were formed. But it was eventually rejected because there were plenty of other Adelphi Theatres across the UK.

It was the publicity manager at the old Sheffield Playhouse, Hilary Young, who came up with the final suggestion, The Crucible.

When the Crucible Theatre went through a £15 million refurbishment between 2007 and late 2009, a new events room above the main entrance was called the Adelphi Room (see photo).

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Image: Hufton & Crow/VIEW/Alamy

I found out about the ‘voms.’

The Crucible Theatre has two of them, and they lead onto its main stage.

Actors walk up and down them, sometimes they run, some have tripped up and down. A chariot, a car, and goodness know what else, have been driven up them. Snooker players rest in front of them, and when they do, they are seen by millions of people around the world.

They are referred to by actors as the ‘voms,’ the two ‘sally ports’ set into the raked seating at the Crucible Theatre.

On a thrust stage these are called vomitories, and comes from the word ‘vomitory’ or ‘vomitorium’ which meant a passageway in an ancient Roman amphitheatre that connected an outside entrance to a tier of seats.

Alas, vomitory also means a substance that induces vomiting.

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Hanover by night

“I believe we now have to break with the past and consign high-rise tower blocks to history. They have served their purpose, but never truly fulfilled their promise, and we have learned valuable and tragic lessons from their brutal, brooding presence in our housing stock.” – Emma Adams.

Hanover House is a single 16-storey block of flats on Exeter Drive, off Hanover Way, built by M J Gleeson on behalf of the Sheffield City Council in 1965-1966. The cladding applied much later to Hanover House was the only tower block cladding in Sheffield which failed fire safety tests and had to be replaced.

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The coolest bus in Sheffield

A Heaven 17 design with layout by Malcolm Garrett is adorning this First bus in Sheffield. It pays tribute to the band’s two ground-breaking albums – Penthouse and Pavement and The Luxury Gap.

Heaven 17 are a new wave and synth-pop band that formed in Sheffield in 1980. The band were a trio for most of their career, composed of Martyn Ware (keyboards) and Ian Craig Marsh (keyboards) (both previously of the Human League), and Glenn Gregory (vocals, keyboards).

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Electronically Yours/Martyn Ware/Constable Books/2022. Image: DJP/2022

And talking about Heaven 17

I’ve started reading a book and begun listening to one of the best podcasts out there. Electronically Yours is the name for both, and are the brainchild of Martyn Ware, keyboardist with Heaven 17, composer, arranger, record producer, and music programmer.

The book was written in lockdown and provides charming meditations on culture, humour, travel and sport, Martyn also shares his love of 60s films, explains why Venice is the most beautiful city in the world, and reveals how Sheffield Wednesday has forever been his first and eternal passion.

“And why the title Electronically Yours? I designed the artwork for the front cover of our first Human League single ‘Being Boiled’ and, at that time, I liked the idea of using a strapline or slogan that would humanise the product.”

I’ve listened to several of the 115 episodes that make up the Electronically Yours podcasts, but immediate standouts are lengthy chats with Richard Hawley (in two parts), Mark Radcliffe, Nile Rodgers, and Glen Gregory.

There are no inhibitions, there is a lot of swearing, fascinating stories, and you might easily be in a room with them. And there are loads of stories about Sheffield that will appeal to those of a certain age.

Listening to them makes me realise what is lacking on radio today. Personality. Get a few of these under your belt and you really do think that Martyn is an old friend.

Martyn Ware/Image: The Bookseller

©2022 David Poole. All Rights Reserved.

Categories
Steelopolis

A week in Steelopolis

The Fiesta – early 1990s. Now Odeon Luxe. Image: Sheffield Modernist

I saw an old photo, and thought of Marti Caine

I saw this photo from the early nineties. It made me think of a good book I read in the garden, when it was sunny, and we were in lockdown.

“My career was flourishing, I had reached the dizzy heights of compere at the Fiesta, one of the North’s most prestigious night clubs, where I did an hour spot and introduced acts like Ella Fitzgerald and Nancy Wilson, as well as all the top British acts. It gave me an opportunity to study the great comics like Tommy Cooper and Dave Allen.

“The Fiesta was as plush back-stage as it was out front. The 2000 strong audience wore full evening dress. It was how I imagined showbiz would be – far removed from the stark reality of Working Men’s Clubs.”

From Marti Caine/A Coward’s Chronicles/1990

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I saw a big yellow crane in the Peace Gardens

I visited the Peace Gardens and there was a big yellow crane. Christmas preparations, and the installation of the Alpine Bar. Further evidence that it will soon be upon us. This photograph was posted elsewhere, and somebody said I was colour-blind because the crane was red.

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It was dark and quiet, and two students stood talking

The early hours of the morning. A view from Regent Terrace towards Leavygreave Road, and two young men, presumably students, stand talking outside the University of Sheffield’s futuristic Diamond Building.

This time is theirs, but had they been from another era, they might have heard the sound of crying babies, new life, nurses chattering, and tears of joy and sadness from emotional parents. This had been the site of Jessop’s Hospital for Women.

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Sheffield Hallam University is going to London

In 1843, the Sheffield School of Design was founded in response to the industrial revolution, in which the town established itself as a leading centre for steel production.

By the 1850s, it had changed its name to the Sheffield School of Art and merged with the College of Commerce and Technology in 1969 to become Sheffield Polytechnic.

It evolved into Sheffield Hallam University (SHU) in 1992, with the right to award its own degrees, and according to latest figures is the fourteenth largest university in the UK with over 30,000 students (seemingly more than the University of Sheffield).

And now it is to open its first satellite campus outside Sheffield in Brent Cross Town, the 180-acre, £8Bn new park town in London.

The town will bring together 6,700 new homes, over 50 locations for retail, food, and drink, provide workspace for over 25,000 people and build a community around three redeveloped schools, health, wellness, and amenity services.

Sheffield Hallam University will occupy the lower 6 floors of the first commercial building at Brent Cross Town and focus its degree-course offering on the subject areas for which the university is renowned, including health and wellbeing, business, finance, management, digital and technological skills.

The focus will be on recruitment of local students, with a significant proportion expected to be from the surrounding area and follows the same strategy as in Sheffield where 40% of the university’s students come from within a 25-mile radius. It is scheduled to open from 2025/26, with the aim of reaching 5,000 students by 2030.

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I found out that Alun Armstrong used to visit Sheffield schools

I wonder how many people remember the children’s theatre company, Theatre Vanguard, which toured Sheffield schools with a company of professional actors during the 1960s and 1970s.

It was the brainchild of Colin George, Sheffield Playhouse’s artistic director, and when the theatre closed its doors in 1971, the project transferred with him to the newly constructed Crucible Theatre.

If this brings back memories, as it does me, then you might have seen an up-and-coming young actor called Alun Armstrong, who also appeared in the Playhouse’s last production, I Was Hitler’s Maid.

Since then, his credits have included several Charles Dickens adaptations, and the eccentric ex-detective Brian Lane in TV’s New Tricks.

He spent nine years with the Royal Shakespeare Company, originated the role of Thénardier in the London production of Les Misérables, and won an Olivier Award in the title role in Sweeney Todd.

He’s also known for playing Cardinal Jinette from the Van Helsing franchise, Baltus Hafez in The Mummy Returns, Uncle Garrow from Eragon, the High Constable from Sleepy Hollow and Maxwell Randall in Billy the Kid and the Green Baize Vampire.

And he also appeared at your school assembly hall.

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A story about New York‘s Cornelia Street Cafe

Another story about Theatre Vanguard, the Sheffield Playhouse project that toured city schools during the 1960s and 1970s, and later transferred to the Crucible Theatre.

With plays, improvised pieces, and audience participation, the company introduced performing arts to schoolkids.

One of the original troupe members was a London-born actor called Robin Hirsch.

“I taught for a year and a half at a German University when I was very young. When I came back to England, I became an actor at the Sheffield Playhouse, and I was hired partly to be a junior actor on the mainstage, but also to help with what was a pilot program in theatre and education. It was Theatre Vanguard — we went into the community to do stuff and we would bring the community to us.”

In 1977, Hirsch created the New Works Project, a peripatetic experimental theatre company in New York, and, along with two other artists—Irish American actor Charles McKenna and Argentinean-Canadian-Italian painter and sculptor Raphaela Pivetta—he opened a tiny one-room café in New York City’s Greenwich Village: the Cornelia Street Café.

Its size and reputation grew, and it was where singer-songwriter Suzanne Vega started out, as did Eve Ensler’s Vagina Monologues. There were performances from members of Monty Python and the Royal Shakespeare Company, as well as singer Jeff Buckley, and it’s alleged that Lady Gaga had a job here.

Hirsch ran the Cornelia Street Cafe for forty-one-and-a-half years until he was forced to close it in 2018 due to rising rent.

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An unplanned Attercliffe experience

It was Friday afternoon, and I’d dropped somebody off at Cineworld, and I thought I’d go and take some photographs of the old Adelphi Picture Theatre at Attercliffe (soon to be in council hands).

I realised I’d not really investigated this part of Sheffield, and I was blown away when I discovered Attercliffe Cemetery.

I spent an hour tramping through autumn leaves, between graves, and down to the river.

I didn’t see a soul, but when it was time to go, a man with an Alsatian dog appeared out of the gloom, and said ‘hello’ with a strong Brummie accent.

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